Aside from eBay descriptions, photographs might be the biggest fibbers in the world of tools.

I?ve just finished judging a toolmaking contest sponsored by WoodCentral and Lee Valley Tools. During two days, I and two other judges examined, used and quarreled about more than 70 amateur-made tools. Our task was to award three prizes: the best-looking tool, the one that displayed the highest craftsmanship and the tool that worked the best.

As the entries came in, Ellis Wallentine of Wood Central posted pictures of the tools that were snapped by the makers (you can see those pictures here). I checked back every week or so to take a look at the entries and get a head start on judging.

Judging this contest, I thought, was going to be a cakewalk. We?d wrap it up in a couple hours and hit the Irish pub near the Lee Valley headquarters and spend the afternoon yucking it up.

It didn?t work out that way. In fact, the Lee Valley folks had to gently push us out the door after the first day of judging.

Here?s what happened: Photos are sometimes deceiving. Though some tools looked as good as they worked, other tools that looked like a million bucks in photos couldn?t cut a soggy toothpick in half. Tools that looked like they came over on the Mary Rose were so sweet they would almost do the job themselves when you went for a bathroom break.

And then there were the "ugly" tools. The tools that looked like they were made in a style that you had to wear either a black beret or Big Smith overalls (and no shirt) to truly appreciate. These tools managed to bore their way into your heart like a tapeworm in an Arkansas rice paddy.

So we argued about the tools. We almost abandoned any hope of awarding a prize for aesthetics. We were just too far apart. The craftsmanship award, however, was a little easier. There were lots of well-made tools, but some required more varied skills to make than others.

And function? That was the easy prize. When the steel hit the wood, it was quick to see which tools cut the mustard and which should be used only for resawing the mustard. In the end, using these tools radically changed my view of them. I didn?t care if the photos looked like junk or they had been professionally shot. When I looked at the pictures I saw only a tool that worked or didn?t work. As a result of all this, I was really pleased that we judged this contest in person and not via the photos. I think we got it right.

I cannot say yet which tools I personally liked or which tools I didn?t, but I?m including a few photos I snapped during the judging to break up the awful grey page generated by my typing prowess. When you take a gander, just make sure that you remember that pixels can be a crock of poo.

? Christopher Schwarz

When I was writing my review of the Harbor Freight Cen-Tech Digital Angle Gauge I realized I hadn't really used it for anything other than setting my tools to 90 degrees. So I took a quick survey of what wood supplies I had in the garage.

Hmmm... I have a few boards of purpleheart, some "hobby wood" curly maple boards from Lowes, some scraps of poplar, a bunch of redwood... I got nuttin'.

As I walked into my bathroom I found my wife had used some fugly light blue plastic drinking cups to put Q-tips in. *MY* bathroom! The horror! I realized then I had to make me a Q-tip holder that would look nice in my bathroom on my redwood shelving. But I really didn't want to make it out of redwood. That wood is so brittle I cringed at the thought of getting accurate angles without splintering.

But 1/4" maple with some purpleheart strips would be nice! And a perfect use for my angle gauge!

I decided on a hexagon shape, using six strips of purpleheart cut with a pair of 60* angles on the long sides and 1 1/2" strips of curly maple.

I first cut the purpleheart using a scrap of wood for a pushblock and the blade set to 60*. I got that 60* setting by dividing the number of degrees in a circle, 360, by the number of sides in my project, 6. 360 / 6 = 60. The cuts were made with my Delta/Leitz 24 tooth rip blade. That blade leaves such beautiful cuts...


That was easy enough. But the maple cuts weren't. I have a large crosscut sled I made for making some table miters when I first got this saw. But it is really unwieldy when using for small parts. So I had to make a small 48" x 24" crosscut sled. No construction pics, but it's 3/4 MDF with doubled up 1/2" birch ply for the handles. Simple, sturdy, and accurate. It also makes me feel MUCH more comfortable cutting small parts on the table saw. Especially using the David Marks trick of a pencil eraser as a hold down.

• NOTE: When using a stop block with a crosscut sled, you MUST hold down the piece between the block and the saw blade. Kickbacks are fierce when a piece gets wedged in there. Ask me how I know...

Back to the original project. I cut the maple so the curls ran vertical and the grain horizontal. This gave me less splintering in the curly maple when using a card scraper. But it also increased the risk of grain separation because I was scraping across the grain. I don't know that either orientation would be easy. But I liked the appearance of the vertical ripples.

The maple was 3 x 2 1/2". I cut six identical pieces with the crosscut sled and a stop block. (This is where I learned about holding down the piece between the blade and the stop block!)

I set up my router table with a 1/4" straight bit, set 1/8" high with the fence 1/4" from the front of the cut. This gave me a 1/4" x 1/8" rabbet to set the bottom of the cup into. I ran all the maple as well as the purpleheart through the router.

I placed two strips of blue masking tape, sticky side up, on my bench. I then clamped a straight edge to the bench a little ways below. The straight edge was the register for my parts to keep them aligned and give me a cup that is square to the world.

Once I was happy with the alignment, lack of gaps, and the test fit went well, I brushed Titebond II on all the joints and rolled it up. The overlaps of tape held it together and acted as a clamp. No strap clamp needed on such a small piece. I left it to dry overnight.


The next day I set up my sled again to trim the proud bits of purpleheart. The sled really came into its own for this part since I needed to make 6 identical cuts.


I used my cabinet scraper to clean up the outside of the cup and ease the edges, gently rounding the joints between the maple and purpleheart.


To fit the bottom I used a scrap of 1/4" poplar with the outside of the cup traced to it. I rough cut it on the bandsaw then used 60 grit sandpaper to fit in the rabbet around the bottom of the cut. Once it fit I used a cabinetmaker's triangle to mark the correct orientation then set it aside.

I sealed the inside of the cup and the bottom as separate pieces with some Zissner SealCoat. I'm trying to use this stuff up before it goes bad. It's the same stuff I put on the crosscut sled I made during this project. I don't like how it looks compared to "real" shellac, so I use it in places that aren't seen, or I don't care how it looks. I have started mixing my own shellac from flakes distributed by Hock Finishes and denatured alcohol. The lensing effect of the home mixed shellac is far superior to that of any of the canned finishes I've tried so far!


After two coats of the Seal Coat had been applied and dry, I applied self adhesive felt to the inside surface of the bottom and the inside of the cup.

Yes. It's red. So sue me.

This self adhesive felt is available at WalMart for around a buck for an 8x10" sheet. It took about 3/4 of a sheet for this project. And it was my last sheet of any color (that's why I used red). I need to stock up again.

Once the adhesive had a chance to become permanent, I trimmed around the rabbet and lip of the cup with an X-Acto knife. I double checked the fit of the bottom. It fit a bit proud, as I expected because of the felt. I brushed on the glue and clamped it for an hour.

Finally, I hit the bottom with my belt sander to make the bottom flush with the sides and applied 2 coats (so far... more to come tomorrow) of my home mixed shellac in a 3 pound cut. I brought it inside to hopefully harden completely before tomorrow morning so I can smooth the finish with some 400 grit paper and apply 2 more coats.

While I was sitting in my chair holding it and admiring (we all do that right? I'm not crazy? Hello? Anybody?), I realized I had made it too big for Q-tips. I'd have to have a full package in there all the time. Ugh. So I set it on my purpleheart and maple side table (noticing a trend?) and picked up a Lee Valley catalog to let my mind wander for a few minutes.

My 4 year old daughter came up and dropped a remote in it. "Nice, Daddy! A new remote holder!" She ran off to do whatever 4 year old girls do when they run off.

I, on the other hand, was stunned. Why the !@#%@$^# hadn't I thought of that? The wife had been kvetching about the remotes for months. Somehow she thought getting Dish would mean only one remote.

I know, I know. What can I say? Don't your wives hate the remotes too?

Anyway, it now has a permanent place in the living room on my maple and purpleheart side table. At least it matches.

And I still have an ugly light blue plastic drinking cup in my bathroom. But now its mate has come down to hold Neosporin tubes.

Why can't she just stay out of the Guy's bathroom?

Now that I've completed a couple of projects with redwood, I thought I'd share what I've learned.

• Power tools don't work
  Especially if you choose redwood with any figure, planers and jointers will introduce chipping and tearout. Redwood is a brittle softwood, and does not respond well to high speed tools. Instead of a planer, use a hand plane. Instead of a jointer, use a table saw with a sharp blade.
  
• Sanding Challenges
  Redwood grain lines are much harder and denser than the wood in between. If you sand with a typical finish sander with a padded base, you will find the wood between the grain lines to sand down much more quickly than the grain lines themselves. After discovering this while making my floating shelves I had a decision to make. Do I want to try to get the shelves perfectly smooth or work with the grain. A test board smoothed out nicely with sandpaper attached to a shop made wooden sanding block. But I rather liked the slight raised pattern caused by the softer wood sanding down between the grain lines. So I ran with it.
• Flat? Whassat?
  I found that even BORG "S4S" (Surfaced Four Sides) redwood wasn't perfectly flat and straight. I chose my boards for figure and color first, then by what was flattest. Using a straight line ripping method (use Google, or wait for my write up sometime in the future on this technique) will get you one jointed edge. From there you'll have to decide whether to risk the tearout in a planer or use hand tools. I went the hand tool route...
• Color
  Redwood color can vary widely from a deep maroon to a light tan. While all heartwood will darken with age or exposure to sunlight, the pale sapwood will not. If you leave sapwood in your workpiece be mindful of the fact that it will stay pretty much the same color while the red heartwood darkens over time. Also, there are wide variations in the color of the heartwood. The wood at your store is usually adequately aged so you have a good idea of the color the wood is capable of and where it will end up after aging. Working the wood removes the darker aged color, and it can then be difficult to determine what the color will be. Choose your wood by color, and if you are purchasing different shades of heartwood at the same time, save working the wood until right before your project, and somehow mark the wood after it's been worked to keep the colors separate.
• Finishing
  I'll finish with finishing. I use shellac on redwood whenever possible. Shellac provides a better "lensing" of the highlights in redwood than poly. Many coats, sanding with 400 grit paper after every second coat, gives the best finish. On the floating shelves I had planned to use polyurethane because of the wet environment of a bathroom. But after seeing the results from the small shelf, making a test piece with the poly, and comparing them, I found the shellac to be MUCH nicer. Six coats, a couple coats of paste wax, and the shelves were ready.
  

I hope this helps you to explore redwood. The warm colors, distinctive grain, and specular highlights under shellac, all combine to provide you with a beautiful material for your next project.

Yep. More redwood. I really like the stuff.

Here I'm building some "floating" shelves for my bathroom to match the Quick & Dirty Bathroom Shelves I did last month.

I'm using a modification of the common floating design. Here I'm allowing the shelf to overhang the box 2" all around. In the pic to the right you can see that one shelf has a bottom enclosing the box, and one doesn't. I really just hadn't decided which to go with, so I did one of each.

Again for my bathroom, the rule is "Simple, cheap, easy, attractive, functional!" So I used butt joints with pocket hole screws and Titebond II glue.

In the photo you can see I used two screws to attach the sides to the front and one screw to attach the shelf at the rear. The glue is also applied only to the area of the screw. The rest of the shelf is left unattached to allow for movement. While I wouldn't expect much movement on a 6" deep shelf, it's going into a bathroom with all the humidity changes that go with the location. Better to be careful in the design and construction than to have buckled or cracked shelves next summer.

I wanted to show a comparison of the shelf with 4 coats of shellac next to an un-worked board. The color difference is dramatic. Redwood darkens as it ages, and my shelves are freshly sanded and machined. This makes them lighter. With the shellac the pale reds turn golden orange, like a beautiful sunrise. I love the color of the finished redwood. And as I said, it darkens with age, making it even more attractive over time.

The design is in the last photo. I haven't hooked my flatbed scanner up since moving last December, so you get the best I can do with a digicam.

Also, the lighting of these shots aren't up to my usual standard. I got a new external flash and am still dialing in the exposure curve for it. So you get some goofy looking shots because I didn't want to wait to get the exposure curve down before getting this posted.

I'll add the installed photos to my blog when I get them finished. So I guess this is Part 1...

INSTALLATION:
Added 2/23/08

I've got the shelves completed and installed. I started with measuring the width of the wall above the toilet in the bathroom. It is 30" across. My shelves are 24" across, which gives just enough "white space" on either side of the shelf to keep things clean.

I cut cleats from 1" x 1" redwood scraps to 10" long. This will give wiggle room for the shelves to be centered on the wall as well as make the calculations for centering simple. I held one against the corner of the wall about the height I wanted then made a mark at the end. Mounting the cleat at that mark will center it exactly on the wall leaving 10" on either side of it.

I had predrilled holes in the cleats at 2" from either end, large enough to allow the Walldog screws to pass through and mount to the wall. I held the strip at the mark I made in the wall and attached the left screw on each cleat. I tightened it just snug enough to keep the cleat from swinging, but loose enough to make level adjustments.

Next I put my level on the cleat and made certain they were absolutely level. I then put the second screw in each cleat, followed by fully tightening the first screw.

Now it's time to mount the shelves. As you can see in the pics above, I had predrilled two holes for screws in the shelves, and added a countersink so they sit flush.

Holding the shelf to the wall and cleat, I drove stainless steel screws into the cleats through the shelves. The screws hold the top of the shelves to the wall and the cleat, and the weight of the shelves plus whatever is placed on them holds the bottom firm against the wall.

Because these are bathroom shelves, they won't be holding much weight, but if they ever need to they will be fully capable of handling the extra weight.

The redwood shelves add a beautiful contrast to the stark white of the bathroom, in addition to providing much needed storage space. Tied with the redwood mini-shelf just above the sink, the bathroom is much more attractive and pleasing to the eye.

My next redwood project for this bathroom will be the towel racks.

Part IV 

All right then! Here it was, around the beginning of April, and I had a plan for the new shop (more or less) in hand. It was time to go ahead with the construction... or so I had thought, anyway.

I got a contractor lined up to do the concrete. I had decided that work was simply too much for me to handle on my own, and that it would probably serve me better to have it done by somebody else. I didn't have the equipment, nor did I have the help (or the back) to put down the concrete by myself. I might have mentioned that North Idaho was undergoing an unprecedented building boom at the time. What that meant for me was a wait for the permit. Permits usually take just a couple weeks. Usually, this might not be an issue, but the concrete guy I had lined up had a very tight schedule. Well, it turned out I had a couple of issues that permitting wouldn't allow, mainly the bathroom I had discussed previously. With that, I took the plan home and removed it entirely from the design (which actually helped me out budget-wise), but as it would have it I couldn't take the time off of work to get back to the permit office for two week. When I did finally, it was two more weeks before I got the plan reviewed and approved. I called the concrete guy up, and turns out I was past his window of availability. I would have to find another.

That delay led to a two week long search for another concrete contractor. The only one I could find available was still three weeks out before he could start, but he didn't do excavating - though he knew someone who did. So, I contacted him, and he was three weeks out too. So - what I thought might be a two to three week period of getting the permit reviewed and groundbreaking turned out to be entirely too optimistic. By the time I got the excavator there it was the end of May, a full 5 weeks later than I'd hoped.

Being an architect, I'm familiar with the whole process so didn't let it get me down, and just chalking it up to the way things work. But - when this showed up out front of the house early one morning, I started getting a little excited:

It's not really the machine I would have chosen for the task, but as long as the hole got dug, I wasn't going to worry. I had considered doing it myself... had I done it; I would have rented a loader with a backhoe mounted on the back. A track-hoe (like above) tends to rip up the lawn too much when you turn on it... It's also a very small bucket - which can be a good thing, both for digging utility trenches and when you have a plan with a lot of little corners... But I don't have a great deal of experience in digging foundations, and what little I had done was over 20 years ago... I figured it best to leave it to someone who knew more. Besides, the cost of renting a backhoe for myself would have been 2/3rds of the price of paying someone else to do it, so I figured it was better hired out.

It was finally time to break ground. Here's where the shop was to go shown in the site plan again:

Here is a photo of the yard, talen looking north from the end of the patio:

The scarring you see in the center of the yard was from an old willow tree that had to come down a few years prior when a windstorm had knocked the main portion of it's trunk down. The scarring was from the year previously when I finally got the stump out of the ground using a skid-steer I had rented when putting in the pavers for the patio, which you can see in the lower left. Within an hour or two, the trench for the main footings were dug:

Finally, something was happening. I was still worried about the excavation, though - I thought it odd that he would only dig the trench and not strip the topsoil within the footprint of the building first. In the end, it turned out I didn't need to worry about it. The fellow was a young guy, for whom renting himself and his track-hoe out was his main method of income in the warmer months. While young, in the end it turned out he was hard working, honest, and truly concerned with doing a good job - and for not really all that much money, either. But I didn't know that yet at this point, so was concerned. Even though it was taken care of later and I was satisfied with his work, I do wish it had been done properly. But with the building environment the way it was, I was just happy to have somebody to do the job.

Up next, the foundation!

The architect mostly achieves the ideal process of culture combination and success to represent a unique colour of ur main pillars (as part of Joglo) and Soko Geder (one pillar). On the top of soko guru there are put tumpang songo (nine support) (it musn't be nine, it could be only three support (tumpang telu (tiga)) which depend on the capability of the owners), as the support of roof construction.

The roof construction of traditional house of Kudus shows the level of wealthy of the owner since cost to make the roof is the highest cost compare with any other parts of the house. The expensive cost was because of the motifs perfection and the carved style also the difficulty on the process to construct it.

The Pencu style roof (the towering roof) used to be made of Rumbia (a particular kind of palm leaves), but now more likely to be made of tiles. Kudus tiles often have special plant motifs, and there are the so-called genteng gajah (with elephant ornamentation) on the wuwungan (the topmost row of tiles), and the genteng raja (king tiles) which are beautifully decorated.

The design interior of the traditional house of Kudus looks simple and divided into Jogo Satru room as a guess room, which in the standard traditional house of Kudus the cover area is around 3 x 10 msq. In this room, the floor is lower around 1 m from the main room (inside room) and is a part of the fourth step or floor.

Then, inside room (jogan lebet) is a fifth step with area around 7 x 10 msq. A chair uses as the connection between the two rooms because of its level differences.and as partition between the two rooms used Gebyok.

Inside the inside room (jogan lebet), there are several rooms such as living room located below the joglo, then bedrooms and gedongan as the place to keep the heilroom and wealthy. Gedongan placed between inside room and pawon (kitchen) that located in the left or right of the house.

This pawon except use for cooking and dinner room, also use for the family activity, such as made of convection products and other home industries. In front of the pawon, precisely in the edge part of the yard placed well complete with the bathroom.

There are several types of doors in the traditional house of Kudus, there is one door, two door and sliding door. One door is usually for the kitchen, two doors in gebyok and the sliding door is in the front.

One thing that necessary to be noted is that traditional house of Kudus always build face to the south that full with the philosophy meaning and based on the natural rule of rational calculation.

(ARA) – Most people think the first impression of their home is made by the color on the walls or furniture in a room; but in reality, it’s made by what’s under your feet – the flooring. If the carpet is dirty and worn, tiles are chipped, or the wood floor is warping, it’s time for a change.

So what’s holding you back? A lot of people are hesitant to jump into a home improvement project involving flooring because of all the work involved. First you have to remove and dispose of the old material, then invest the time and effort necessary to get the base surface ready for the new material before finally putting it in.

“Do-it-yourselfers are overwhelmed when they learn how much work is involved in redoing a floor. But it doesn’t have to be that way,� says Scott Day of Forbo Flooring. Forbo recently introduced a new product that’s turning a lot of heads in the remodeling industry.

Marmoleum Click is perhaps the easiest flooring surface there is to install. No adhesives or fasteners are necessary. The panels simply lock into place with a tongue and groove system. “If you have an existing resilient floor, no need to remove it. The planks and squares can be installed right on top of the old surface. If you have carpet or tile, you just need to remove and dispose of the old materials and start clicking the Marmoleum tiles together right over the subfloor,� says Day.


Marmoleum Click comes in 18 different colors and is available in two different sizes: panels that are 12 inches wide and 36 inches long, and 12-inch by 12-inch squares.
The panels and squares can be mixed and matched to create a wide variety of patterns and color combinations.

“It’s really cool. You can mix and match colors to create a space that is uniquely your own,� says Day.

In addition to being decorative and easy to install, Marmoleum Click is made from natural materials consisting of flaxseed oil, pine rosin, limestone and jute. It also has anti-static and bactericidal properties, meaning it’s easily kept dirt and dust free, and is resistant to such micro-organisms as Staphylococcus. These qualities make it especially popular in bathrooms and kitchens – and in places young children play.

“Marmoleum Click is the ideal do-it-yourselfer’s surface,� says Scott Day of Forbo. “We’ve received a lot of feedback from customers that it’s the easiest material they’ve ever worked with, and they’ve had a lot of fun with it.�

For design ideas, or to find a retailer near you, log on to www.themarmoleumstore.com.

Courtesy of ARA Content

Visit A1 Wood Flooring for more on wood flooring and laminate flooring.