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Hand Tool Conference
04/29/2008, 23:04 | The Village Carpenter
s an all-star line up of hand tool experts and the 3-day weekend will be filled with 40 short classes, a marketplace for toolmakers to display and sell their wares, and social events with demonstrators and toolmakers.Registration begins in June, but I wanted to give you a heads-up on what will most certainly be an awesome weekend.....and I hope, an annual event!
Read more about it here.
Independent Mind Wood Ring
00/00/0000, 00:00 | Wood Rings by Simply Wood Rings
The Maple Tree has long been associated with The independence of mind, extra ordinary person, full of imagination and originality. The lighter base wood is Birch and Birch symbolizes birth and new beginnings and is feminine in nature.
The dark wood is dyed to achieve the color much like dyed wool.
I handcraft every ring to bring out the warmth and honesty of the wood. Each ring is hand formed from thin layers of wood chosen for its grain and durability.
I will make custom sizes upon request.
All you need do is visit me at: http://www.simplywoodrings.com
Episode 41 - Ask the Masters 01
00/00/0000, 00:00 | T Chisel - The Rough Cut Show!Episode 30 - Bombe Series - Drawer Shaping
00/00/0000, 00:00 | T Chisel - The Rough Cut Show!Wooden rings for an awesome Belgium couple
00/00/0000, 00:00 | Wooden Rings from Touch Wood Rings
Nicolas writes ...
Des Moines Woodworkers Pitch In
00/00/0000, 00:00 | WoodworkingONLINE.comThe Des Moines Woodworkers Association makes it clear that their mission is to dedicate their time and effort (and a considerable amount of expertise) “…to education, community service, and sharing of knowledge for those of all ages and skill levels…” who are interested in woodworking.
For example, a few months after 9/11, I became involved with a project sponsored by the club and Woodworkers United for America to build Memorial Flag Boxes for the families of victims of the terrorist attacks. It was a gratifying experience and I ended up building a few extras for my family members.
Then, just the other day I heard a member of the club on a local public radio station talking about their latest community project — building special caskets for preemie babies. The Infant Casket Program is an off-shoot of the Precious Angels Organization. Their goal is to help families who have lost children and may not be able for whatever reason to afford a quality casket or other services. You can find out more about this organization here.
Des Moines Woodworkers club members can build caskets from plans provided on their website. The club also provides wood to any member who requests it to build caskets. They announced the plans to help out at their last meeting and the hope is that members will bring their projects to the September meeting where they’ll be presented to Vicki Dischner, the young lady who runs the program for SpecialAngelsIA.org. The Des Moines Woodworkers have also contacted clubs in Omaha, NE., and Ames, Cedar Falls, and Cedar Rapids in Iowa to become involved in this worthy project.
Contact Russ Wilson, the community service director for the club, if you’d like to be involved.
Invisible Finish Repair
00/00/0000, 00:00 | WoodworkingONLINE.com
You can sharpen your woodworking skills with helpful tips and techniques from the editors of Woodsmith and ShopNotes magazines. Get a FREE tips sent to your email address each week! Got to Woodworking Tips.com and sign up today.
Here’s last week’s tip from Woodsmith online editor Ted Raife:
It always breaks my heart when a project gets its first scratch. But I know that even with the best of care, it’s bound to happen. So rather than stew over a minor blemish, I came up with an easy way to make it disappear.
My repair system started with an investment in an assortment of touch-up markers. You can get these from many woodworking and finishing supply companies. My set includes about a dozen different colors and this gives me a good shot at finding a close match to the project. But the trick is finding the best color match without relying on a lucky guess.
To help make a more informed choice, I created a sample sheet on a piece of clear acetate. The sheet contains a small, labeled swatch from each marker. As you see in the photo, I simply hold the sheet up to the project to find a good match. After choosing a marker and performing a quick touchup, the project looks as good as new and I feel a whole lot better.
Good Woodworking,
Ted Raife
Online Editor, Woodsmith
Shameless self-promotion
00/00/0000, 00:00 | Musings From My Shop
The April issue of Popular Woodworking is on it’s way to subscribers and will be available on newsstands before long. In this issue is an article I wrote about the Greene & Greene chest that has been mentioned on this blog several times before. While the full article isn’t yet available, the on-line extras are. I’m very proud of this piece. Have a look.
Comment Moderation Turned On
08/27/2008, 18:38 | A Woodworking OdysseyPanel flattening...
00/00/0000, 00:00 | The Refined EdgeAfterwards, I switch to a smoother plane and smooth the panels further until the high and low spots disappear, all the while I reducing the depth of iron in my smoother plane to take progressively lighter shavings. I'm also using my widest smoother, No. 4.5, for this application, this provides less overlap in the plane strokes and covers more area quickly. A stick of wax is your friend when doing this type of work, this keeps the hand plane gliding smoothly and somewhat effortlessly. When I assembled the panels from boards earlier I made sure to orient the grain of the boards in the same direction, this decision is now obvious as a wise decision since hand planing can be accomplished in the correct direction.
Once I have a rhythm established, flattening these panels is actually an enjoyable task. Tearout is non-existent since I'm planing with the grain and the beech panels are fairly tame, so all I get is nice, fluffy shavings. I had to watch myself to not get carried away. At this time, I have four panels hand planed to thickness (uniform thickness) and perfectly smooth , as determined from some final checking with the solid steel straightedge.
Next I will dimension each of the two side panels and the top and bottom panels to the final width and length which the design calls for.
Episode 33 - Bombe Series - Tommy & Al Think Things Out
00/00/0000, 00:00 | T Chisel - The Rough Cut Show!Walnut Wood Ring
00/00/0000, 00:00 | Wood Rings by Simply Wood Rings
Walnut symbolizes intellect while the base wood (dyed maple) symolizes independent mind.
http://www.simplywoodrings.com
Black Desk, Part 1
00/00/0000, 00:00 | Wood Destruction by a WoodscrubBlack Desk, Part 3
"Emo"? "Goth"? "Death Rocker"? What name do the kids with pale skin and black clothes go by now? Bleh. Can't keep it straight.
My 16 year old son, however, just likes black stuff. Especially with an asian twist. Can't help with the asian thing (I bought his dresser because of the asian styling), but I can go with black.
We picked up a bunkbed for him from AFW. It came with a little desk underneath. The desk was a piece of crap that broke during assembly. It was too small anyway, so we decided to make a desk the full length of the bed. So basically the bed and desk are the same size, bed on top, desk on the bottom.

We needed to do this on the cheap, so dimensional lumber from Lowe's is the material. $1.80 2x4's for the legs, and 1x2's for the framing. I usually like working with construction lumber, but not this time. I don't know if I didn't wait long enough to use it (I jointed and planed the 2x4's 3 weeks before milling for the legs) or if it was just craptacular wood. In addition to this, the 1x2's were made of friggin styrofoam or something. They virtually disintegrated when machined in any fashion. They splintered, chipped, cracked, etc, to the point where I gave up trying to improve the crap. It'll all be hidden anyway, so I've just got it as nice as possible then left it alone.
Whatever the reason, this became more of a challenge than I am used to.
Because of the expected abuse this desk will take (it is going into a teen's room, remember?) I wanted mass in the legs. So I doubled up the jointed and planed 2x4's. Rolled on the glue and used lots of clamps. This took forever because I only have enough clamps for one leg at a time. Glue, clamp, wait 2 hours. Glue, clamp, wait 2 hours.Glue, clamp, wait 2 hours.Glue, clamp, wait 2 hours.

The problem was I got some checking while the glue was drying. I couldn't believe it! I was furious. Stupid construction lumber.
Sigh.
Luckily, the ends of the legs will be hidden by the desk top and the floor. As long as the checks stay within the end grain, I'll be OK!
I trimmed to final length (29") and started on the design. First I used a 1/8" kerf saw blade to cut two lines around the bottom of the leg. This was a simple task with the crosscut sled. I just clamped a block at the distance to the first line, cut the kerf on all four sides of the leg, and
repeated for all four legs. I then moved the block a little over an inch and repeated. Sanding was accomplished with 150 grit paper folded over a ruler.I also wanted some vertical designs on just the front legs. So, thanks to the inspiration I received from a member of Woodnet's forums, I slapped together a jig to guide my router in cutting some tapered coves in the front of the two visible legs.
I basically used a strip of plywood, cut it in half, then cut a 3/8" piece off each half. Those acted to separate the two halves when glued together, creating a template for my router.I used a 1/2" cove bit with a 1/4" shaft, and my 1/4" Porter Cable guide bushing.
A note about the PC bushings. If they're nickel plated, they're crap. The @#$%%^ nut will NOT stay locked in place. I bought a Woodcraft branded brass 1/2" one that stays tight with no problems. Porter Cable really REALLY needs to address this. I'm not the only one with problems with the silver bushing sets. In fact, it seems to be nearly common knowledge among the more experienced woodworkers
online.I made one cove shorter than the other by clamping a wrench across the opening to the jig, causing the router to stop sooner. This gave a little variety to the otherwise geometric designs in the legs.
When routing the coves, I had to fill in the middle because the coves were larger than my bit. But the 1/2" one was all that I could fit in the opening of the jig. So the effort was spent cleaning out the bottom of the cove with multiple router passes instead of coming up with a mickey mouse method of getting a larger bit into the jig, or redesigning the jig.
The taper was accomplished by sticking a piece of wood under one end of the jig, raising it up
3/8" or so. I set the bit depth so it took out less than 1/8" of the leg at the top, but a full 1/2" at the bottom. Because the cove bit cuts deeper, it also cuts wider at the bottom, giving even more interest to the design. This is the first time I've tried varying the depth of a cove like this, and I'm happy with the results.The legs were attached with 1x2's using glue and pocket screws. The construction grade 1x2's were complete crap. Splintered and cracked at any opportunity. And it considered dirty looks opportunity enough!
I only attached 3 sides because the desk top and shelf will hold them together much better than these shitty 1x2's.
Once glued and screwed, and the glue scraped off I cleaned up the garage to make room to finish the legs. Because I'm going to have to make this a knock-down piece of furniture, I needed to make sure the normally hidden surfaces were stained. So the bottom got stained first. I used
Minwax's water based stain in Onyx.We did lots of tests with different "black" or "ebonizing" stains on pine and birch along with different final finishes. We ended up with the Minwax stain applied in two long-soaking coats, followed by 3 coats of water based poly. For the appearance checks I just used some rattle-can Minwax crap I happened to have. I'll find a better WB poly to use for the final finish next weekend.
The last photo was after the first coat of the onyx. It shows grain and even knots nicely, while keeping the feeling of a naturally black wood. The depth of the color will really come out when the second coat is shown and the poly applied. But before the poly, there will be an added detail that I'll show in the next installment.
A Labor Day Tribute to the Carpenter
00/00/0000, 00:00 | WoodworkingONLINE.com 
‘Twas only a kit of carpenter’s tools
We were chancing off that night.
The man who owned the tools was there
A carpenter whose hair was white.
To draw the stubs until the winning share
Would place the tools within another’s care.
Aye! Only a kit of tools you say
Objects of metal hard and bright.
No! We chanced off something else that day
Something that didn’t seem just right.
All the labor of yesteryear.
Homes that they built for those in the past
Of service come to an end at last.
Leaving his heart, his head, his hand
In a chest of tools, this white-haired man.
To end his days in a home for them
Whose years of service were at an end.
The sad look on that aged face
As each number shortened the space.
Of time when he must bid farewell for good
To old friends of his, of metal and wood.
He had used them for years, they were always there.
‘Twas awfully sad, the whole affair.
Like playing pitch with an old man’s soul.
Pushing him on to the final goal.
Into the sidelines and out of the race
While a younger man takes up his place.
The tools of his trade, the hammer and saw
It struck me with wonder and something of awe.
As we laughingly shout and loudly cry
To see who the winning share did buy.
How stupid of us, we were such fools
To think we were chancing off
Only CARPENTER’S TOOLS
—Julius Frerich
_________________________________
Originally appeared in Carpenter Magazine many years ago. It’s a monthly publication published by the United Brotherhood of Carpenters and Joiners of America. It contains articles on labor issues, lessons on how to build things, and “human interest items” submitted by the local union secretaries.
Bob Smalser kindly posted this over on WoodNet and I thought it was good enough to share.
Wesonbirt 2008 - still the perfect woodworking show.
00/00/0000, 00:00 | Sauer & SteinerI had the good fortune to attend the Festival of the Tree again this August, and like last year - was not disappointed. The format was the same - camping on the grounds of the Westonbirt Arbouretum, large scale sculptures in a picturesque setting and very fine food prepared by “cheffie” (pictured below drying some tea-towels).

One of the most enjoyable things about traveling is the incredible people - and this year's adventure was no exception. There were many familiar faces to catch up with and just as many new ones. We were set up in the Classic Hand Tools marquee again - situated off to the side of the display area. But judging from the well worn pathways inside - we were certainly not out of sight.

There was a new demonstrator at the show this year - and for all intents and purposes - he stole the show. Steve Woodley specializes in supplying hand hewn timbers for restoration work and provided four days of inspirational demonstration.

He was supplied with 3 oak logs and over the course of the 4 days, managed to square up two of them. I found myself stopping to watch every time I walked by - with several additional deliberate trips to watch his progress. I was struck with the simplicity of the process - and the incredible skill and precision required to execute it properly. Steve taught me two very important lessons about axes. First - he taught me how to sharpen them - and yes - they should look like the backs of your plane irons. Secondly - a mediocre axe is not worth the struggle. He had at least 8 axes with him - all made by Gransfors. These are available in the UK from Classic Handtools or in North America through Lee Valley. Not only is he highly skilled - he is a fantastic guy. His brother lives less than an hour from my house and I am hoping to figure out a way to get him over to this side of the pond. I am working on it Steve.

It was great to see Jolyon Reynolds again this year - he was set up around the corner from Steve. Between the two of them - they had an amazing demonstration.

Mark Hancock and his charming wife Karen were at the show again and were a crucial part of the good natured fun and frolic in the classic handtools compound. There were only a few “safe” seconds for me to capture the above photo before Mark shifted his gouge and showered me with shavings. Typical : )

I was thrilled to see my good friend Michel Auriou again - it had been far too long since our last visit. I always enjoy Michel's insight into toolmaking, steel and business. The best piece of news was that Auriou is back in business. Hopefully some more left handed rasps will be in my future...

David Charlesworth and Pat stopped in on Saturday - it was great to see them again. They were set up beside me which gave us a chance to catch up a bit and talk shop. Here we are discussing one of Bill Carters planes (nice segue, eh?)

That same day - Bill and Sarah Carter arrived. It is always a thrill to see them. Bill had over a dozen planes with him - from wee little 1/2" boxwood smoothers, to an incredible 28-1/2" jointer. Bill was kept very busy with a steady stream of admirers and Sarah kept the three of us content with coffee and homemade cake.

If I had the money - this pair of mitre planes would have come home with me.

Another fine planemaker stopped in for a visit - Christopher Martyn. I met Christopher at last years show and was very impressed with his instrument planes. Some of his planes were featured in Fine Woodworkings 2007/2008 Tools & Shops issue.

My friend Tony stopped in to try a few planes - here he is testing out a No.4 smoother.

I also met Mike Riley and had a great visit with Phil Edwards. The Romanesque fellow is Alex Primmer - he works for Classic Handtools.
It is amazing how much changes in a year. Last year, Phil was contemplating making a few planes - and this year he had his own line of tools and was conducting a brisk business. A few days before I left for England, Phil sent me an email asking if there was anything he could bring along to help reduce my luggage. It was an extremely thoughtful offer and as it turned out - I did use many of his things over the course of the event. My deepest thanks Phil for taking good care of me during the show. I hope I can return the favour in Berea.

Mark Bennett was a new demonstrator at the show and I have to say I was quite impressed. He is a very kind, soft spoken fellow and we found ourselves discussing the finer points of plane design, our respective wood stashes (I suspect his will knock my socks off when I see it) and design in general. I thoroughly enjoyed his company. He was also a wealth of knowledge and passed on several great insights. One of the more interesting one was tree warts. I have to admit I was a little skeptical until he showed me one. He handed me a holly wart. He said they are very tight burls and cuts them into disks and uses them for inlay work. So I now have a Holly wart to add to my growing pile of timber.
Fun & games
The show was not just work - there was tremendous play as well. I sometimes feel guilty about it - and there were two instances where I found myself beautifully derailed.
The first instance was finding a small Boxwood branch sitting on the burn pile (yes, they were burning boxwood!). I have a wonderful Japanese hammer head by Masayuki that is in need of a handle. I have been referencing So's site to learn how to handle a hammer. I cannot find any Gumi - but this piece of English boxwood should be a nice substitute. Philly caught me cleaning up the piece of boxwood for the trip home.

The other derailment was Mark and I cleaning up a large piece of boxwood (with an Auriou rasp of course).

Philly and Mike Riley planting some vile shavings.

Chris Pye being majestic even when he is trying not to be. Chris was set up about 30 feet away but I was able to watch him transform a rather non-descript bit of wood into a very fanciful beast. I only wish I was able to pay closer attention - I know he has a lot to teach and I have a lot to learn.
I also had great visits with John Lloyd and Rob Cosman but did not manage to find them when I was collecting photos.

And last but certainly not least... a rather tuckered member of the International football team who was sadly defeated at the third annual “Billy Hancock Birthday showdown”. The Brits won 3/0. Mark shared a very funny comment on the last day. He was telling a few of us how surreal it was to be the keeper for the British team and seeing all these faces he recognizes from magazine head shots rushing at him. The quote went something like this... “and there was Rob Cosman - with the ball... rushing towards me. Bloody hell!”
I would also like to express my thanks to Mike Hancock, his lovely wife Mary, and their kids Alex and Billy. The Classic Handtool marquee is not the focus of Westonbirt - but it has become a very important part of it - and clearly inspires people to work with wood. Mike has done an outstanding job, and has proven that a vision of something different and a little creativity can make something very special happen. Congratulations Mike.
Interpreting Historic Crafts
07/15/2008, 20:24 | Arts & Mysteries with Adam Cherubini - Blog
As many of you know, I demonstrate early woodwork at Pennsbury Manor. We were visited a few weeks ago by a reporter from a local newspaper who wanted to see why we do what we do. You can read his column here.
I never feel I do a good job speaking to the press. On a recent interview for a podcast, I took a simple 20 minute question and answer and turned it into an hour long bore-fest. One needs to answer clearly and succinctly and quickly. It's a skill I don't have. Guys like Schwarz are great at this.
Anyway, my concern about the fellow from the newspaper was that he was going to paint us as freaks and geeks. And tho some of us may fit that description, I thought that would be dismissive. And in Pennsbury Manor's case, many of the volunteers are highly skilled. I don't think it's fair to describe their motivation as "wishing they were back in time".
Looks like I got quoted a lot, which, given the controversial nature of what I was saying, is to be expected. The first quote:
?Some of us might have made unsatisfying career choices,? Cherubini said, ?or maybe the woman controls the house; so in the workroom, we want to be able to make that .0001-inch slice so we can say we control something ? 17th-century woodworking demands that kind of precision.?
This is my theory of why 17th c work or period work in general is not as popular with woodworkers. What I actually said was something to the effect that as we get older, we find ourselves recognizing that we cannot effect the changes we want at work, our children make choices we wish they didn't, our wives make all of the important decisions for our home and family, and the general sphere of our influence shrinks. And for some, it may come as some comfort that at least in our workshops, we can control the cuts we make to .001" precision. We may not welcome the axe to decide the shape of a piece. To let the grain dictate form is a sort of controlled crash that I think many woodworkers simply can't abide. I enjoy that uncertainty. I think it's authentic to the period. Feel free to disagree, but that's where I was going.
?Sure, you can pretend you're at a Star Trek convention when you see people like us,? said Cherubini about re-enactors. ?First, I don't consider myself a re-enactor. We are craft demonstrators.?
In this quote, I was just trying to make the point that the clothes we wear are there for the visitors, not to establish a character we are role playing (like a re-enactor perhaps) or to establish ourselves as members of a clique (like folks may at a Star Trek convention). I went on to explain the differences between first person interpreters (who essentially role play), third person interpreters (what I do), and docents or tour guides. Coincidentally, one of the first people to define and differentiate these terms was fellow Pennsbury volunteer interpreter Stacy Roth, who's book , remains a seminal must read text on the subject.
?And we're not a subculture,? said Cherubini. ?We're not all nostalgic for the past ? not that most people really think about whether we have real lives when they see us here anyway. What's important is that we need to balance our lives. ... We've worked in high-stress jobs, or we don't have enough control over our lives. When we come here, we get to decide for ourselves, be deliberate and share.?
This last quote is a combination of different conversations (during which I was riving and planing stock, btw) and the last sentence is a bit too succinct for me to believe I actually said it.
In terms of why we do what we do, I think there's a common motivation to present our crafts. In my case, I want to represent not my woodworking skill, but the skills and values of early craftsmen. I don't want folks to see me struggling with my tools, or fussing with a plane that isn't sharp. I want my visitors to see what I think the craft looked like then. Fast and efficient.
In terms of balance, I've noticed anecdotally, that a lot of the hand tool folks I encounter come from high tech jobs. The need for balance was my guess as to why. Personally, when I'm done working on a computer all day, I don't want to sit in front of one all night.
I don't want to pick on the journalist. I think it's great that he chose this subject and I think whatever preconceived notions he had coming in, he did a good job writing what he heard. I think it's an interesting, and very complex subject. What I've written above is my sense for it. If you are an interpreter, I'd like to hear yours.
Adam
Ep13 Carlo Mollino 03
00/00/0000, 00:00 | Furnitology Productions
Furniture design can take the form of many different shapes. In episode four of our Carlo Mollino inspired coffee table, we find....our...shape.
From a picture to full scale drawering, to the construction of our bending form, you'll see our bending ply take a shape Carlo Mollino would be proud of. One of Birds-eye maple the other of Plum Pudding Mahogany.
Enjoy and let me know what you think!!!!
Carlo would.
Episode 99 - Bombe Secretary - Door Corner Carving
00/00/0000, 00:00 | T Chisel - The Rough Cut Show!Hexagonal Portable Tool Tote
00/00/0000, 00:00 | WoodworkingONLINE.com
I don’t know about you, but when I have to do some work around the house or somewhere away from the shop, I usually use a five-gallon bucket with a Bucket Boss to transport my tools. I’ve been using that for years and it has worked fairly well. It’s great for hauling my portable drill, screwdrivers, hammers, chisels, etc.
Over on WoodNet, Bob Strawn (aka “CedarSlayer”) is showing off his portable “roll-up” tool tote. He even went so far as to use a home-brew finish on it. 
Here’s what Bob said about the construction of the tote:
All the details are there, and it is a good first work. It gives you a place for tools and most of the materials are inexpensive. The leather strap can be a bit more expensive. I made mine out of pine, brass screws, brass tacks, epoxy, screw posts and horse butt. The horse butt was the most expensive, but then I can strop with the straps. I would advise going to a saddle shop and getting vegetable tan leather for the inner fittings, so that you don’t have too many salts in the leather eating your tools. Getting straps from them or using belts from a resale shop would do well.
As far as the one I made goes, The Hex end on mine has 4″ long sides. The boards are 24″ long and 1/2 thick. The end peices are a touch thicker. The inside straps are 1″ wide, the outside straps are 2″ To avoid near impossible clamping issues, I taped the whole thing together and marked boards and ends. I predrilled the three fixed boards, screw holes, to the end pieces. I used masking tape to avoid a mess with the epoxy, and used a slower set epoxy and brass screws to hold the sides together during gluing.
I wanted a rougher finish than the mirror smooth one that came out of my thickness planer, so I sanded at an angle across the grain with 80 grit, to give the look and feel I wanted. Sort of an old sawmill look. This way dings and scratches add character instead of ruining the appearance.
Click here to read more and see more photos of this handy tool tote.
A Good Cause
00/00/0000, 00:00 | Musings From My Shop
It’s no secret that I’m a fan of the work of Greene & Greene. A big fan. Anyone with cursory knowledge of the brothers has heard of the Ultimate Bungalows. These homes, designed by Charles and Henry at the height of their popularity and creative energy, are grand residences built with uncompromising attention to detail. Everyone agrees the the Gamble, Blacker, Pratt and Thorsen houses are in this category. Many include the Freeman Ford house as well. Were I the ultimate authority, the Robinson house would also join the list.
While the Gamble house remained in the Gamble family until it was donated to USC and the city of Pasadena, the other Ultimates have more colorful histories. Most endured some period of neglect or abuse. The rape of the Blacker house resulted in ordinances that protect historic homes in Pasadena. I think the Thorsen house trumps them all, however. Since 1942 the Thorsen house has been home to a fraternity.
I suspect that many of you have seen the movie “Animal House.” It’s hilarious. It’s a classic. It’s completely unlike the California (Berkeley) chapter of Sigma Phi. The brothers of Sigma Phi take their stewardship of the Thorsen house, which the fraternity purchased from the Thorsen estate, very seriously. Every Saturday morning they work as a group on maintaining the house. They learn its history. They take pride in it.
But keeping up with the demands of a 100 year old mansion (and a work of art at that) is difficult. And expensive. About 9 million dollars. If you find yourself in Berkeley, stop by the house. The brothers will happily give you a tour and accept a donation to the fund. But don’t let an inability to visit stop you from contributing. Send a few dollars and help save an historic landmark, one of the Ultimates. It’s a lot easier to keep such houses around than to wait for another genius to come along and design more.
The Thorsen House Restoration Campaign
c/o Mr. Dan McNear
Route 1
Box 264-E
San Rafael, CA 94901
Podcast #25: Using Hand Planes & Scrapers for a Smooth Finish
00/00/0000, 00:00 | WoodworkingONLINE.comThis week, Dennis Perkins, assistant editor for Woodsmith and ShopNotes, is going to give us some pointers on using hand planes and scrapers for a smooth finish. He’ll also spend some time showing us how he likes to sharpen his scrapers during this week’s Woodsmith Woodworking Seminar Podcast.
As usual, all of the links to articles, seminar guides, and products that you’ll see being used during the seminar podcast can be found at the Woodsmith Podcast Store.
Episode 18 - Bombe Series - Shaping the Pigeonhole Doubler
00/00/0000, 00:00 | T Chisel - The Rough Cut Show!288 Whiteside 1/2" Straight Cutting Bit - The Video
08/02/2008, 21:48 | Matt's Basement Workshop PodcastIt's the beginning of a brand new month and I'm fully back from the "vacation". So let's get everything started the right way by beginning with Router Bit of the Month!!!
And this month we have something a little extra special. Whiteside's 1/2" Straight Cutting Bit is what I consider to be an essential router bit profile, this is one that should be in everyone's collection no matter what kind of woodworking you do.
And considering that I happen to already own one of these, because like I said...this is an essential profile...rather than keeping another one for myself why not share it with a second lucky winner??
So that's what we're doing, now there's double your chances to win this month. If you weren't one of our two lucky winners this week that doesn't mean you can't take advantage of the great discounted price at Woodcraft all month long, just click here to buy yours...Whiteside 1/2" Diameter Straight Cutting Bit.
WIN AN iPOD TOUCH!! If you have the time, please take the new listener survey, and when you do you'll be entered to win an iPod Touch.
If you'd like to enter for free schwag or just have a comment, question or suggestion drop me a line at mattsbasementworkshop@gmail.com or head over to my website at www.mattsbasementworkshop.com or call our Skype Voicemail at 231 354-2338.
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How has Woodworking Changed?
00/00/0000, 00:00 | WoodworkingONLINE.comI remember watching my Dad work around the house and in his basement shop when I was a young boy. Most all of the tools he had back in the 60’s and into the 70’s were Sears Craftsman. At some point in time he managed to get a Porter-Cable circular saw and the occasional Skil tool. But really, there wasn’t a whole lot of choice in readily available tools for woodworking. Nowadays, you can go online or pick up the phone and order almost any tool from anywhere and have it delivered directly to your door.
But not only have tools changed over the years, our attitudes and methods have changed, too. To get an idea of what I mean, look in on this discussion on WoodNet. Add your 2¢ on how woodworking has changed in your lifetime.
Episode 63 - Bombe Secretary - Removing Fret Pattern Material
00/00/0000, 00:00 | T Chisel - The Rough Cut Show!Ruby Red Padauk Wood Ring
00/00/0000, 00:00 | Wood Rings by Simply Wood RingsFor the Myanmar people of Southeast Asia the blossoming Paduak is an enchanting time. I have heard that to walk among the Padauk trees when in full bloom is to walk hand and hand with the spirit of nature. For the Myanmar people it signifies youth, love and romance.
See it here: Ruby Red Padauk Wood Ring
More handmaded earrings
03/04/2008, 23:53 | Arts and Crafts BlogI made this earrings and the bracel for a firends doughter, Lucy. She loves animals, so I gave to the earrings a personal detail.
To make the earrings use rounded pliers to make chains with the wire. You can make yourself the part of wire that goes in your ear: put the wire arround a pencil or pen (or arround something cylindric) to give the wire that shape.
I made this earrings and the bracel below, embroidening the beeds in an elastic fishing line.

Here you can see both designs.

Hope you like them! Try handmaded jewerly, it’s an adicction!





