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Summer skies and wooden rings
00/00/0000, 00:00 | Wooden Rings from Touch Wood RingsAnd, some summer rings ...

287 More July Giveaways
07/25/2008, 03:20 | Matt's Basement Workshop PodcastIt's near the end of July and it's time to give away some great schwag to some even greater listeners!!
This week we have another set of 2-1/2" Whiteside Brass Height Gages for one lucky winner and another great title from Sterling Publishing for a second lucky listener.
If you're interested in getting a set of your own gauges from Woodcraft click here, Whiteside Brass Height Gauges
WIN AN iPOD TOUCH!! If you have the time, please take the new listener survey, and when you do you'll be entered to win an iPod Touch.
If you'd like to enter for free schwag or just have a comment, question or suggestion drop me a line at mattsbasementworkshop@gmail.com or head over to my website at www.mattsbasementworkshop.com or call our Skype Voicemail at 231 354-2338.
Listen to today's show by clicking on the player below
To download directly to your computer Right Click on direct download, choose "Save Target as"
Westonbirt Part II
08/28/2008, 09:59 | Philsville
HI Folks
A little more about Westonbirt. On the Sunday we had the pleasure of meeting Bill Carter. Bill makes the most wonderful infills, mostly Miter planes. But with a difference. The majority of his planes are miniatures and he ages the metalwork to give an antique look. These give the planes an wonderful timeless look. He also makes a lot of his plane from recycled tenon saw backs - check out his website for more info. Bill was very happy to talk about how he makes his planes and I was fascinated by his methods. As a bonus, his wife Sarah makes a smashing sponge cake ;) Here's a photo of Bill with fellow planemaker Konrad Sauer.
It was good to see so many members of the UK Workshop forum over the four days. Here are a couple of random pics....not sure about the axe one ;)


There were exhibitors from all around the world and it was great to socialise after hours. Here is a picture of Martin and Tommi from Magma - they are holding a Japanese plane they made during the show. A plane with a difference - not many have a walnut blade ;) Tommi (on the left) was also our star goalkeeper during the "International Soccer Match".
More tomorrow....Philly
Episode 74 - Bombe Secretary - Upper Pediment II
00/00/0000, 00:00 | T Chisel - The Rough Cut Show!Cabinet interior mock up...
00/00/0000, 00:00 | The Refined EdgeIn the photo, is my latest design of the interior. This layout is a good example of the design adage, "less is sometimes more". There is a fair amount of room on both the left and right side of the cabinet interior. The drawers have been divided into two assemblies with one drawer at the top left and two drawers at the bottom right of the cabinet interior. The design is also somewhat interesting and does not conform to the typical, established layout of drawers within a cabinet. This feature enhances the uniqueness of the cabinet interior in my opinion.
This design is not quite cast in stone as yet. I intend to further refine the layout with both interesting, unique design and optimized space as criteria. Mocking up is a great exercise in the design process, both initially and in finalizing the design. Having the components of a furniture piece mocked up to scale proportions reveals any design considerations which might have been overlooked in the initial design.
How to Buy a $1 Chisel (And How Not)
07/04/2008, 03:18 | Lost Art Press Blog
No matter how much (or little) money you have, if you are clever enough you can score an exquisite chisel for about $1.
I was reminded this week when I picked up some items on eBay and had to take a few extra unwanted items in the lot, including three plastic-handled chisels. Two of them were Craftsman chisels that were dead ringers for my grandfather?s 1970s-era tools.
The third was a Stanley 1-1/4?-wide 720 chisel with a translucent yellow handle and steel striking button on its end. Normally chisels like this wouldn?t warrant a second look in a flea market box. But if you take a close look at these 720s, you could end up with an excellent worker.
The trick is to know what?s important and what?s not. Here?s my short list of the key features:
1. The handle has to be comfortable for paring or chopping. The 720 passes this test with flying colors. Its vague Coke-bottle-shaped grip falls right into your fingers in both positions. In fact, when gripping it for chopping, the chisel is comfortable only when your index finger is out of the way of the striking button. The only disadvantage of the 720's handle is that it gets a little slippery when your hands get sweaty.
2. The chisel has to be balanced when you grip the tip of the blade like a pencil (this is the grip for holding the tool for positioning it for light chopping). The 720 is a tad top-heavy for this operation. It?s not unusable, but it's not perfect.
3. The steel should be easy to sharpen and keep a decent edge. Chisels that are too hard take too long to hone. The 720s are good steel. I bought a couple of these early on in the craft and have also sharpened those belonging to students. They?re good steel.
4. The long edges should be narrow. Very narrow. This is where most mid-priced chisels fail. The narrow side-bevels allow you to sneak into the acute corners of the tail portion of dovetail joints. The 720s are generally very good about this. The one I just bough has side bevels smaller than 1/16?. Nice.
Oh, and there?s one more important characteristic: The chisel has to be fairly rust-free (especially on the unbeveled face side). This particular example is a miserable failure as it probably spent a few years in the bottom of a chum bucket. I cleaned the scaling off with a Klingspor Sandflex block and took a look. Craters everywhere.
Oh well, what do you want for $1?
? Christopher Schwarz
Building the Woodshop: Part IV - Groundbreaking!
11/22/2007, 20:05 | Norse WoodsmithPart IV
All right then! Here it was, around the beginning of April, and I had a plan for the new shop (more or less) in hand. It was time to go ahead with the construction... or so I had thought, anyway.
I got a contractor lined up to do the concrete. I had decided that work was simply too much for me to handle on my own, and that it would probably serve me better to have it done by somebody else. I didn't have the equipment, nor did I have the help (or the back) to put down the concrete by myself. I might have mentioned that North Idaho was undergoing an unprecedented building boom at the time. What that meant for me was a wait for the permit. Permits usually take just a couple weeks. Usually, this might not be an issue, but the concrete guy I had lined up had a very tight schedule. Well, it turned out I had a couple of issues that permitting wouldn't allow, mainly the bathroom I had discussed previously. With that, I took the plan home and removed it entirely from the design (which actually helped me out budget-wise), but as it would have it I couldn't take the time off of work to get back to the permit office for two week. When I did finally, it was two more weeks before I got the plan reviewed and approved. I called the concrete guy up, and turns out I was past his window of availability. I would have to find another.
That delay led to a two week long search for another concrete contractor. The only one I could find available was still three weeks out before he could start, but he didn't do excavating - though he knew someone who did. So, I contacted him, and he was three weeks out too. So - what I thought might be a two to three week period of getting the permit reviewed and groundbreaking turned out to be entirely too optimistic. By the time I got the excavator there it was the end of May, a full 5 weeks later than I'd hoped.
Being an architect, I'm familiar with the whole process so didn't let it get me down, and just chalking it up to the way things work. But - when this showed up out front of the house early one morning, I started getting a little excited:
It's not really the machine I would have chosen for the task, but as long as the hole got dug, I wasn't going to worry. I had considered doing it myself... had I done it; I would have rented a loader with a backhoe mounted on the back. A track-hoe (like above) tends to rip up the lawn too much when you turn on it... It's also a very small bucket - which can be a good thing, both for digging utility trenches and when you have a plan with a lot of little corners... But I don't have a great deal of experience in digging foundations, and what little I had done was over 20 years ago... I figured it best to leave it to someone who knew more. Besides, the cost of renting a backhoe for myself would have been 2/3rds of the price of paying someone else to do it, so I figured it was better hired out.
It was finally time to break ground. Here's where the shop was to go shown in the site plan again:
Here is a photo of the yard, talen looking north from the end of the patio:
The scarring you see in the center of the yard was from an old willow tree that had to come down a few years prior when a windstorm had knocked the main portion of it's trunk down. The scarring was from the year previously when I finally got the stump out of the ground using a skid-steer I had rented when putting in the pavers for the patio, which you can see in the lower left. Within an hour or two, the trench for the main footings were dug:
Finally, something was happening. I was still worried about the excavation, though - I thought it odd that he would only dig the trench and not strip the topsoil within the footprint of the building first. In the end, it turned out I didn't need to worry about it. The fellow was a young guy, for whom renting himself and his track-hoe out was his main method of income in the warmer months. While young, in the end it turned out he was hard working, honest, and truly concerned with doing a good job - and for not really all that much money, either. But I didn't know that yet at this point, so was concerned. Even though it was taken care of later and I was satisfied with his work, I do wish it had been done properly. But with the building environment the way it was, I was just happy to have somebody to do the job.
Up next, the foundation!
Highland Woodworking's New Fall Catalog is Mailing Out!
00/00/0000, 00:00 | Highland Woodworking Blog
The Curtis Buchanan class series sets the tone for another exciting catalog and season of fall woodworking. The catalog is full of new products and the great selection of woodworking tools, supplies and information you've come to rely on from us. You'll find the hot new portable steamer, Oneway's sit down lathe, our new line of John Jordan turning tools, Triton's new oscillating spindle sander and a whole host of other exceptional woodworking tools.
Education has always been one of most important products. Our legacy of presenting great American craftsmen to woodworkers continues with another special opportunity to learn from Master Chairmaker Curtis Buchanan in his Comb Back Windsor Chair series. Spend a day or a week with Curtis as he reveals the secrets of his high-back Windsor chair. Take an in depth look at traditional milk paint finishes, experience the fast paced one day comprehensive Comb Back demonstration or work the week away building your own treasured Comb Back Windsor Chair heirloom with Curtis. Regardless of the class you choose you're sure to enjoy this unique opportunity to experience the Windsor Chair World.
We are also very pleased to welcome back another talented chairmaker, Charles Brock. His group study of the Maloof chair not only gives unique insight to chair making but also covers a vast array of everyday woodworking skills and techniques a woodworker needs to master. Chuck's student base is growing fast so register early for Charles Brock's 2009 class series. Be sure to check out our complete schedule of classes and seminars online or in your catalog. If you do not currently receive our print catalog and would like to do so, please contact our Catalog Request Department or you may call our 24-Hour Toll-Free CATALOG REQUEST LINE: (888) 500-4466. Visit Highland Woodworking to shop online.
Grenadilla and Hawaiian Koa Wood Engagement Ring
00/00/0000, 00:00 | Wooden Rings from Touch Wood RingsThank you again for the beautiful ring you created for Vivianne. I proposed to her on December 21st and she said yes!! She was totally amazed by all the details and precision of the ring. It was her dreamed engagement ring and she is so thankful. After I proposed, we organized a gathering with our families to celebrate our love. I want to thank you both for your hard work throughout this process and for being what you are and living what you believe in.
Episode 63 - Bombe Secretary - Removing Fret Pattern Material
00/00/0000, 00:00 | T Chisel - The Rough Cut Show!Antique Bus and Trolley Restoration
00/00/0000, 00:00 | WoodworkingONLINE.com
John Singley of Tucson, Arizona sent us a reader’s tip for ShopNotes magazine. In his letter, he mentioned that he volunteers for the Old Pueblo Trolley Museum. John says,
“The trolley I am working on is the Lisbon/Aspen P&MU. It was taken down to the frame and we are replacing most of the woodwork. We have been working on it for 2 years and expect to have it complete and in operation in about another year.”
Needless to say, there is a lot of woodworking that has to take place to restore these vehicles to their former glory. Check out some of the restoration work at the museum’s web site.
Mea culpa
07/04/2008, 01:36 | UnpluggedShop.comIt wasn't intentional. I didn't know. It was a mistake. Your money will be refunded as soon as your claim is processed by our customer service department located conveniently (for us) in a country that an English speaking person has never left alive.
Well, it isn't all that bad, but this website let you down. In particular, inadvertent alphabetical discrimination of the worst sort (ok, so you didn't get the pun, yes, it is a bit obscure, think: sort, lists... oh, nevermind) was practiced. It isn't bad enough that you always had to sit at the back of the class just because your name started with "X" or "Z". It isn't enough that we put you at the bottom of the list in the best of times. This time, you were left out completely if your name started with one of the latter letters of the alphabet and you were "listed" on one of our longer directory lists. read more »
Wooden Rings
00/00/0000, 00:00 | Wood Rings by Simply Wood Rings
MyWooden Rings are made to last a lifetime. With just the normal care any
fine piece of jewelry is given and some furniture wax. I handcraft
every ring to bring out the warmth and honesty of the wood. Each ring
is hand formed from thin layers of wood chosen for its grain and
durability. learning how to make a wooden rings has been a rewarding
process of discovery which for me continues to this day. I have learned
that the wood which is chosen carries more than just its physical
traits but more than that the wood carries deeper meaning. Take white
oak for example, sacred to the druids and the Greeks, the oak is a tree
of strength, protection and durability. It represents inner fire,
courage and nobility of spirit. The birch symbolizes birth and new
beginnings. TheBirch is feminine in nature and is used for protection,
purification.
Visit me at web site At:
http://www.craftsman.etsy.com
Your one of akind wooden ring will give you the warmth of knowing that
the true value of a fine piece of handcrafted jewelry is knowing how
much meaning it
has.
(Click on
image for a larger
view)
Building the Woodshop: Part VI - Walls
01/11/2008, 22:22 | Norse WoodsmithPart VI
With the foundation finally out of the way, it was time for my part to start - framing. I find framing fun, so long as it's not my regular job... and I have done it in the past, so I wasn't too nervous about doing it, except for one thing - the wall framing would be full of angles and small complications that would challenge my abilities... but then again, I like a challenge.
I started by putting together a list of materials I would need, and set out to visit suppliers to get some prices. I'm fortunate to have a large number of building supply outlets all within a close distance to where I live... I didn't get to a fraction of them and I visited two borg stores, a lumberyard associated with a nation-wide chain, 1 local franchise lumberyard (several different locations, but all of them are located within a 100 mile or so radius), and two locally owned lumberyards to get prices. The borg prices were not all that far out of line - but those places simply aren't set up well for putting together large loads and they were the furthest from my house, not to mention the service was basically non-existent from these two places in my experience, so I ruled them out almost immediately.
One of the two locally owned lumberyards' clerks told me that "their estimator is out on a job today - but I'll take your list and he'll get back to you first thing tomorrow"... I never heard from them again. Honestly - if they can't call me back on a larger purchase like this they either don't want or deserve my business. I did notice these guys were out of business/were bought out about a year later - I wonder why?
The national chain store lumberyard's prices were relatively high for my tastes. A friend who was also pricing out a shop told me they were by far the cheapest he had found - but he was buying a packaged garage design, vs. my "custom" order, so that may have had something to do with it.
That left two yards to visit, and these two yards became the final 'competitors' for my business - the local franchise and the other local lumberyard. The cheapest cost I found was at the local franchise store (who also happened to have the closest store), with two caveats - their lumber was of lower quality and their service wasn't all that stellar (not bad - just not stellar). The local yard was more expensive, but the quality of their material was much better... But something else happened while I was at the local yard that convinced me to go with them...
While getting a list of prices from one of the clerks, he asked the fellow behind him what the current price was on OSB, who looked at my list to see how much I was looking for. He said something like "well, for this much I think we could do $6.75" (which was 25 cents more than the other's price). He then looked over and started asking me about what I was building, and we struck up a conversation. Turns out he was the owner of the yard, and we both came from similar backgrounds... In the end, he won my business the old fashioned way. It did cost me a few hundred dollars more to do business with him, but I can say now that the price was well worth it - his little lumberyard gave me by far the best service of any I had dealt with up to then - or have since.
From there, i took my material list and divided that list up into the order needed, starting with the wall framing and roof framing, the roofing, and the trim, siding and interior work. This would allow me to pick up materials and not have to have them sit outside or be in the way while I was working on the building... Here's the very list I used:
I had decided to use 2x6 studs @ 16" O.C. (On Center) for a couple of reasons - first, for the insulation value. In the large scheme of things, they don't cost all that much more money over using 2x4's. Second, one of the main tenets of the gathering darkness that is the future is the cost of energy. It may or may not happen, but to me it's better to be over-insulated rather than under. Energy costs can become crippling - though they are "relatively" inexpensive now, that may not always be the case.
This is also the biggest reason I don't have a large amount of windows - though I may regret this decision the most of all Natural daylight is a huge bonus, but it does come at a price. There's not just the initial cost of the glazing, there's the added cost for heating to consider. I did end up bumping up the size of the windows to the next size, which I think was a good decision.
Another reason is so it holds what's nailed to it without "waves". Structurally, 2x4 studs at 24" o.c. are fine, and will easily hold up the building. You could probably get away with even less... But then any siding you nail to it, or drywall, or even plywood - will not be held straight and become wavy over time. It might not be right away - but it will happen.
Anyway, I now had the material, and it was time to start building. The very first walls I needed to build were the most complicated - the north and south ends, both having a gable; and since I was using rafters and not trusses for the roof, it meant the studs would have to be framed old-style.
I used to know how to use the a framing square, and all the functions that go with it like rafters and the like. But it's been too long, and not having used that knowledge it's long slipped from my grasp. Fortunately, I am an architect - and have access to computer drafting programs that allow me to size each stud *exactly* and help me layout their location on the top plate even though they are angled - here's the framing plan for the north wall:
You can easily see the benefit of knowing how to use a cad program here. I was able to size each individual member and provide for space for the lookouts all before lifting a nail. I printed out a copy of the above and framed up the main part of the wall (not including the lean-to part) exactly as shown on the floor of the shop, and did the same for the south end (which I will show further down). Then, it was time for an old fashioned "barn-raising" - I gathered a few friends and relatives to help me put the walls up:
Most of the time, you would build the wall so you could tip it up right where it wanted to live - but I could only get these guys together for the one day, so I built both the north and south walls to have them ready... There wasn't enough room on the slab to build them in place, so after we got the wall up we had to shimmy it down to it's final resting place and lift it up over the anchor bolts. I don't mind telling you - these walls were HEAVY! The more help the better.
A sill seal goes down first to fill small gaps between the bottom plate and the concrete foundation wall. The bottom plate is treated wood by code - this is done as it's the most likely location for water to puddle and over time rot the wood.
Once in place, the wall were roughly plumbed and then braced with 2x's tied to stakes driven in the ground or using a pair of 2x's to form a triangle on the inside. These were the only two sections of the wall I planned on tipping up like this - the rest would be built in place by myself.
Next up was the south wall:
The studs were all sized in that drawing, and I created a second drawing to help me lay out their location on the top plate:
Then it was on to putting up that wall:
After it was in place it was also roughly plumbed and bolted down to the anchor bolts in the foundation:
Once the walls were up and the help was gone, I went through and plumbed the two walls. To do this, I parked one vehicle on each side of the wall and tied a rope on each side of the wall, in a loop around the top of the stud and plate where the existing brace we had put up was located down to the bumper of the vehicle. I left a little slack in each line and using a stick, tightened the line like the cord on a bow-saw... Once the slack was all taken up, I removed the nails holding the brace and re-plumbed the wall, tightening the side it needed to go to by twisting the rope on that side more until the wall read plumb., then nailed the brace back into place. You can apply a great deal of pressure using this method, and I was able to plumb the walls around the entire building using this method.
Then it was on to the east wall (the top in the graphic below), which I framed in-place:
The headers over the windows and overhead door are triple 2x10 with a 1/2" plywood core, a diagram of which I will show in a minute... The .
This tied the north and south walls together on the east side, but I then figured should tie the west end of these sections together at the spot where the "main" roof butts into the "lean-to" portion of the roof - the spot labeled #7 in the graphic below:
This is to be the main beam for the roof at that spot, so it needed to be a pretty substantial - and straight - beam. I started by first setting up the two 6x6 columns at their planned locations that the beam would rest on (asking a beam to span 32'-0" is a bit much for traditional construction), as to split the span into thirds. A "U" shaped Simpson column base is bolted into the concrete and fastened to the column with nails and plumbed by forming a triangle with a pair of 2x4's nailed to the column to hold them in place - you can see them in the photo below (with the beam already in place):
The columns at each end are simply nailed together 2x6's that rest within the confines of the stud wall.
It was then time to construct the beam. The beam is made up in layers - first a 2x10, then a layer of 1/2" CDX plywood, then another 2x10, a second layer of CDX, and finally a third 2x10. It works out well with the layers of plywood, as then it ends up the same width as the 6x6 column it rests on:
It's great to have an air nailer for jobs like this - it would wear you out quickly nailing all of this by hand, there are a LOT of nails. Fortunately, I still had my old framing nailer from back in the day.
There was no way I was going to be able to construct the beam on the ground and lift it into place on my own, so I constructed it in place by placing the first 2x10 in place (crowned so the higher point is pointing up), holding it by nailing scraps of plywood to Then it was the next 2x10, and so on until the beam was complete:
A composite beam like this is stronger than a solid beam... the layers help guard against natural defects in the wood, and provide a more homogenous beam across it's length. It's still a bit of a stretch - and by code, these beams aren't heavy duty enough to span the entire distance - so I will add in some knee braces later in the construction process. For now, they will be enough.
To level the beam I used the old bucket of water with a clear hose trick, the same sort of one one documented here on the Taunton web site. I had tried a line level, which is what I used to determine the length of the columns, but ended up having cut the columns about 3/8" too short... Using the water level eliminates such inaccuracies - but I hadn't remembered the trick until after I had cut them. They can be a little difficult to use when you are by yourself and trying to measure a column that has nothing holding it up yet anyway, I guess... Anyway, the short columns were an easy fix with a "shim" of 3/8" plywood.
From here it was a matter of finishing up the rest of the walls and installing the sheathing, which ended up being 7/16" OSB:
There are some that don't like this product, and will only use plywood... Truth is, this material will work just fine for sheathing and is more environmentally friendly than plywood is. And - here's the real issue - it was cheaper.
For bracing, the sheathing on the four corners of the building were specially nailed to create what known as a "braced wall panel". This is done to stiffen the structure against it's natural tendency to lean. The special nailing basically means using ringshank nails 6" o.c. around the perimeter and down each stud line. Another good reason to have a nailer handy - that's a lot of nails.
One thing to remember here, which I nearly forgot:
You can't get into these corners after you've nailed the sheathing on - and if you don't, the corner will always feel cold in the winter and it will be a spot where heat can escape the envelope. Taking your time to insulate the building properly can make a HUGE difference in your heating bill, so if you are building a shop I would suggest you do this - even if you are not planning on insulating it. Someone may want to someday - and it's not much money to do now, but will cost you plenty later should you decide to heat the building.
That's probably enough for this installment. Up next - the roof!
A different type of woodworking...
00/00/0000, 00:00 | The Refined Edge
I've been tasked with reconstructing the wood dash panel from a vintage British automobile which is currently being restored. The dash was previously veneered and after about thirty five years, it succumbed to the elements and began to delaminate. Along with this, the original veneered surfaces were cracked and flaking off. This is a type of work I have not done before. The only effective way to remove the veneer completely and uniformly was with a sanding machine. After performing this on either side of the dash panel, I had clean wood underneath. The wood was high grade plywood with many plies. I judiciously re-laminated the laminations which were separating, which was no small feat. Once I was completely satisfied that the plywood dash had regained its strength and rigidity I began to plan the application of veneers both on the face and back of the dash panel.The veneers were applied one at a time, beginning with the back of the dash panel. I cross banded or alternated two layers of the back cherry veneers to add rigidity and strength to the dash panel. I next cut out the multitude of holes from the back along with screw holes and rectangular cut-outs. I used reamers, sanding pads, and small half-round and round files to accomplish this.After I was satisfied with this, I applied veneer, bird's eye maple, to the face of the dash. Similar to the back, I re-created the holes, cut-outs, etc. from the front. Next, I veneered the glove compartment box door following the same procedure.
In the photo, I have just completed veneering and sanding the dash panel, glove compartment door, and have it fitted in its opening. Some more small detail work and I am almost ready to apply finish to the dash panel. There were some stressful moments in all this, veneer being so thin with very little margin for error, but it seems to have worked out. I thought I would share this experience.
Ep 9 - Lingerie Finale
00/00/0000, 00:00 | Furnitology ProductionsWell we've come to the end of the Contemporary Lingerie Cabinet.
In this Episode we evaluate the entire finished case, we revisit some of the important design elements, discuss how important they are in the final appearance of the Quarter Sawn Ash Lingerie Cabinet, and answer some e-mail questions.
This is a Modern piece of furniture done with a minimalist approach so there is nowhere to hide poor craftsmanship. The cabinet is a very, very good build.
Enjoy and look forward to our next project as we investigate Italian designer Carlo Mollino.
Neil
Eco-friendly Pre-historic Wooden Ring
00/00/0000, 00:00 | Wood Rings by Simply Wood Rings
This ring is made from Ancient Kauri which is the world's oldest wood at 50,000 years old.
When I work with a wood that is this old it puts things into perspective in a very real way. I think of life without our minds trappings. Not empty but more full of what life really is.
Imagine for a moment the what nature has done for us to have this natural miracle of our life from so long ago. This ring gives you a connection to an extraordinary time of pre-historic sunlight, rains and life from so long ago.
Click to see the ring Eco-friendly Pre-historic Wooden Ring
http://www.simplywoodrings.com
Episode 54 - Bombe Series - Stop Dados
00/00/0000, 00:00 | T Chisel - The Rough Cut Show!That green mallet
00/00/0000, 00:00 | Sauer & Steiner
Over the last several months, quite a few people have noticed and asked about the “green mallet” in the background of many of my photos. Here is the story...
I have never used or owned a proper mallet and when my friend Andrew Dix heard this - his wheels quietly started spinning. A few months later a package arrived.

Everything about this simple looking tool made sense to me and more importantly - every detail had been carefully planned out... nothing was accidental. The shape of the head was elegant, but also performs its function perfectly. The slight taper put a bit more weight at the top - where maximum force can be applied while striking. The handle is shaped in a way that your hand holds the mallet in a balanced position.

But the above photo is what really did it for me. This tells me the person who made this tool is aware of function first, but the aesthetic is just as important. Andrew took the time to rotate the endgrain of the handle so it lined up with the endgrain of the Verrawood head. And the Padauk wedge bisects it perfectly. This may seem like an insignificant detail - but this is the sign of a toolmaker who is passionate, thoughtful and knows when to add a “touch”.
I have been using this mallet daily ever since it arrived, and I have not a single complaint or comment to improve on it. There is a lovely dark band around the head where it has struck the ends of many of my Imai chisels. Aside from the discoloration - there is no damage. I suspect Riley and Lucas will be using a pristine mallet when I am long gone.
Very shortly after this mallet arrived, I contacted Andrew to (strongly) suggest that he consider making these available to the public. He was at first a little surprised and reluctant - but every time someone sent me a note to ask about the mallet, I contacted Andrew to let him know of the interest. I am thrilled that he has gathered appropriate materials and is now prepared to take on a few commissions.
The base mallet has a Verrawood head and either Cocobolo or East Indian Rosewood handle (any wedge material) . The price for this mallet is $250 US. He also has a good supply of African Blackwood, Kingwood, Ebony, Palisander Rosewood, Brazilian Tulipwood, Bois de Rose and Zircote as alternative handle material. The mallets can range from 16oz. to 24oz.
Andrew Dix can be reached by phone (804)678-9246 or email; dixja@vcu.edu
If anyone is interested - an offcut from your plane would make a wonderful wedge in one of Andrews mallets.
Episode 7 - Bombe Series - Shaping the Lower Cabinet Sides - Part 1
00/00/0000, 00:00 | T Chisel - The Rough Cut Show!DeWalt Recalls Cordless Drills
00/00/0000, 00:00 | WoodworkingONLINE.comIf you own a DeWalt cordless drill/driver, you may want to check the table below. These models are being recalled because of a potential fire hazard. DeWalt wants you to stop using the drill immediately if it’s included in the list below:
| Model Number | Description | Date Codes |
|---|---|---|
| DC920 | Heavy-Duty XRP™ 1/2” (13mm) 18 Volt Cordless Drill/Driver | 200723 through 200742 |
| DC930 | Heavy-Duty XRP™ 1/2″ (13mm) 14.4 Volt Cordless Drill/Driver | 200625 through 200746 |
| DC935 | Heavy-Duty XRP™ 1/2″ (13mm) 14.4 Volt Cordless Hammerdrill/Drill/Driver | 200627 through 200746 |
| DC936 | Heavy-Duty XRP™ 1/2″ (13mm) 14.4 Volt Cordless Hammerdrill/Drill/Driver | 200635 through 200746 |
| DC940 | Heavy-Duty XRP™ 1/2″ (13mm) 12 Volt Cordless Drill/Driver | 200635 through 200746 |
You can find out all about the recall here on the CPSC web site. You can take your drill to your nearest service center for a free inspection and free repair, if needed. Click here for instructions on DeWalt’s web site.
Carving a Philadelphia Ball and Claw
08/21/2008, 01:35 | Arts & Mysteries with Adam Cherubini - Blog
I had the privilege to host the Philadelphia Museum of Art's secret weapon, carver/conservator Chris Storb a few weeks ago. Chris isn't just an expert carver, he's intimately familiar with 18th c work and especially familiar with Philadelphia work.
Chris is a fantastic source for not only how to do it, but also specifically what was done. This makes him particularly rare. These two bits of information are more typically found in two different people (expert period woodworkers for the how, and furniture curators for the what). So it was with great pleasure that Chris agreed to visit my shop and let me painstakingly photograph him carving a Philadelphia style ball and claw foot. I'm looking forward to sharing what I learned from Chris in an upcoming issue of your favorite woodworking magazine.
Adam
Chris Storb Links:
- Access Privileges from my blog
- Two American Masters from my blog
All Tool Orders Suspended
08/22/2008, 17:48 | Arts & Mysteries with Adam Cherubini - Blog I really appreciate the overwhelming response I received from my tool offerings. Thank you all so much for your interest and support. It really means a lot to me personally.
As I said when I started accepting orders for tools 2 months ago, I have no intention of making tools full time. I am first and foremost a period cabinetmaker. I feel doing the work has informed my sensibilities regarding tools and I have no doubt that will continue.
I'm not sure what the future holds for me. I'm hoping to produce tools on speculation and sell them as they become available. This will allow me greater design freedom and perhaps the ability to use whatever materials I have on hand at the moment. I'm not exactly sure how this will work. But I'll post information here and at Woodworking in America conference. Being able to meet my commitments in the uncompromising way to which I'm accustomed means I have turn off the tool making at present.
A spider!
03/28/2008, 03:38 | Arts and Crafts BlogRosemary and Bob are in danger! A spider has arrived and somebody told me she is really big!
Here you have it…….

Well, she is not so big, and she doesn´t seems to be dangerous. Matilda is cute!

How to do Matilda?
Start: Ch 12
Row 1: Work SC, 1 SC in each ch.
Row 2: Work 2 SC in each SC (24sc)
Row 3: Work 1 SC in next SC, 1 SC in next SC, 2 SC in next SC (32 SC)
Row 4 , 5 and 6: 1 SC in each SC (32 SC)
Row 7: DECREASE - SC DEC (insert hook in next stitch - the same you do with SC - insert hook in following stitch and pull hook through the three loops to decrease.) Make 2SC and 1 SC DEC (24 SC)
Row 8: Make 1 SC, 1 SC DEC, 2 SC, 1 SC DEC.
Last rows: Make SC DEC until thee isn´t a hole. (Only the hole downside)
Legs: Make 7 or 8 CH legs. I embroider some wire in the legs, that´s how Matilda is stood up on her legs in the pic. But for kids is better to take the wire out.
Face: Make the eyes and mouth with white and red yarn. (You can use other materials, like plstic eyes or sew felt pieces)
Fulfill the spider with the material you choose: this time I used black yarn (cotton was not a good material this time: you could see the white color through the little holes.)

That´s all!
Episode 27 - Episode 27 - Tuning a Plane
00/00/0000, 00:00 | T Chisel - The Rough Cut Show!Greene and Greene from a Woodworker's Perspective
00/00/0000, 00:00 | Popular Woodworking
The series of articles by David Mathias on Greene and Greene feature photos that are different than any that I have ever seen. The first article, the August 2008 issue of Popular Woodworking presented an overview of the style. The second article, in the October 2008 issue focuses on the furniture and joinery details. The October issue is due from the printer any time now, and will soon be on its way to subscribers. As was the case in August, we had more photos than we had room for in print, so we are putting the extras online in PDF format.
My favorite thing about these photos is the point of view and attention to detail that comes from having a fellow woodworker behind the camera. Several of the photos are of familiar pieces, but you will see construction details you haven't seen before. Many of the photos are of objects that are rarely if ever seen. This is a rare opportunity to get a closer look at an amazing body of work, through the eyes of someone who knows what you want to see.
Click the link below to download the PDF slide show of additional photos.
0810GnGSlides.pdf (1.45 MB)
The slide show from the August article is available by clicking here
--Bob Lang
Winner of our Quote of the Year Contest
00/00/0000, 00:00 | Woodworking blog Woodworking Magazine
Todd Austman of Calgary, Alberta, won the miter plane from Philly Planes in our "Quote
of the Year" contest for this little jewel:
— Vincent Van Gogh
We had hundreds of entries, which we narrowed down to about 75 of the best quotes that we plan to use in the coming year. (When we use your quote, we'll notify you and send you our latest hardbound book. It might take a bit of time for your quote to come up, so please be patient.)
There were a couple other quotes that came very close to snatching the top honors. Here are a few of them for your enjoyment:
— an aviation saying often attributed to Will Rogers
"The more complex the mind, the greater the need for simplicity of play."
— James T. Kirk
"Ya it’s short — but only on one end."
— Anon
Thanks to all of you who entered the contest. Your contributions, suggestions and scoldings are what make it a better magazine and inspire us to make each issue better than the last.
— Christopher Schwarz
Door panels (2)...
00/00/0000, 00:00 | The Refined EdgeSome judicious resawing and a short time later and I had enough veneer slices to create the bookmatched veneers for the fronts of the door panels. I utilize straight-grained beech veneers for the back of the door panels. The veneers are edge jointed prior to assembling together to form each of the four sheets for the two door panels. I take great care in veneering the substrates for the door panels and make sure that the substrates are perfectly flat and smooth since the veneers will telegraph any bumps or surface irregularities into the top surface.
In the photo, I have the door panels mocked up in the cabinet front to determine if the aesthetics are both correct and pleasing. I'm not looking for complete symmetry at this point and this is obvious in the detail of the figure of the individual door panels. There is instead, a partial symmetry in the door graphics which makes us more aware of the natural growth pattern of wood.
Next I make preparations for installation of the knife hinges for the doors after some final fitting of the doors within the cabinet opening.



