When we started Woodworking Magazine, one of the things we definitely wanted to include as part of the fabric of the publication were quotations about the craft that made us laugh or think.

And when we launched our first issue in March 2004, there was no doubt or discussion about what quote would be emblazoned at the top of the first page:

Brown, who died June 1, is in my estimation the most influential writer on handwork of this generation. His columns in Britain’s Good Woodworking magazine inspired thousands of woodworkers to attempt or even completely embrace handwork.

His columns were short epistles on topics philosophical, mundane or both. He might offer a recipe for bacon in one column, offer plans for a workbench in another and in a third comment on the sad state of woodworking where we have traded skill for speed.

Brown was at times crotchety in tone, other times apologetic (to turners in particular); but he was always the spokesman for anyone who wanted to take hammer in hand and try to build something – either fantastic or mundane – using hand tools.

Brown himself was a boatbuilder who was made obsolete by fiberglass watercraft. After spotting a primitive Welsh chair in a shop in Lampeter, as Brown put it: “It was like a vision. I had never seen anything that had made so instant an impression on me.�

And so he built a Welsh stick chair like the one from his vision. He began selling them. He began writing about them. “Welsh Stick Chairs� was published in 1990. It’s a short volume, but is one of my prize possessions. In it, Brown gives a concise history of the Celts and their furniture. Then a short history of his love for the craft. The remainder of the book is photos of Brown in action, building what he calls a “cardigan chair.�

I first encountered his column in Good Woodworking in the mid-1990s. Brown had begun writing for the magazine during issue 13, I believe, which was the November 1993 issue. It was called “The John Brown Column,� and discussed mostly chairmaking, but with all hand tools. His run of columns there ended 32 issues later with a condemnation of power machinery in June 1996.

After a year of respite, Brown returned to the pages of Good Woodworking in issue 58 and continued for a couple more years. The last column I have of his is from December 1998. He continued as a chairmaker for awhile but during the last decade, Brown turned his attention to studying art.

"The John Brown Column" – sometimes titled "The Anarchist Woodworker" – was so inspiring to me, it’s difficult to quantify. I think it’s best said that if I had to have only one hero in woodworking, it would be Chairman Brown.

Not only did his writing encourage my hand-work skills, he also inspired me as a chairmaker to the point where I even ventured into the Canadian wilderness to take a class in Welsh chairmaking from David Fleming, a Cobden, Ontario, chairmaker who is Welsh.

All this detail above might make me sounds a bit like a stalker, but I never met John Brown. It was one of my primary goals for the coming years, which I can now bitterly cross off my to-do list. My plan was to ask if we could reprint his columns in book form so they could receive the wide audience they deserve. That project might be in limbo now, but perhaps his heirs will be willing.

If you can get a copy of “Welsh Stick Chairs,� you certainly will get the flavor of his writing and wit. And if I have any luck, perhaps you’ll also get to read his columns and then understand the loss the world of handwork has suffered this week.

— Christopher Schwarz

"Two peas in a pod"




For that couple that have that unique bond of having so much in common. I have made this set "Two peas in a pod".

The Box is made of White Oak wood and Red Oak wood.

The rings shown are single wood Walnut (men's) and Mahogany (women's)

Click Here To See The Listing.

Greetings Folks, Having stumbled (I forget how) across this forum , and then having read the discussions on planes and cutting angles, specifically on bevel up format, I would like to introduce myself. Basically I am a cabinet maker, but also make the odd plane now and again-please see my web sites www.collectablefurniture.co.nz and www.marcouplanes.com. Pertaining to recent discussions folk may be interested to see that I have had a blitz on bevel up planes, having made smoothers bedded at 15 and 20degrees, a large block bedded at 20 degrees and a miter bedded at 12 degrees. I also made a hybrid bedded at 37 degrees, blade bevel up or down. I use Veritas A2 blades and my own D2 and O1 blades. At present I am making two smaller smoothers, 2" blade, 50 degree bed bevel DOWN. I welcome questions , suggestions and criticisms.

It's now time to cut the sides of the case. This is risky business because any mistakes cannot be corrected and Tommy is understandably nervous. After the cuts are made, he then hand-planes and takes a chisel to the edges.

 

WESTERN EARTH KNIVES

Unique handcrafted hunting knives custom tailored for you at WEK.

Photos Courtesy of Western Earth Knives                                            "The dagger"

Custom Handmade knives and sheaths, made to order, using materials of the earth: bone, antler, horn, brass, leather, exotic woods of the West, and only high quality high-carbon steel blades. Western Earth Knives are made using designs derived from the qualities of the earth and her creatures by Douglas Gilbert.

 

Douglas has been a painter and sculptor for 40 years. It is only recently in his life that he has come to specialize in knife making, continuing to exercise his love for the powerful qualities and images of the earth. He spent much of his youth in the woods, and whittling wood was one of his early interests. A temporary illness brought him to abandon the 9-to-5 work-world and to devote himself full time to his craft. He has two grown children, a loving psychologist wife, and lives in southwestern Washington state. For additional information or to talk directly with Douglas ...

 

Contact:

                           Douglas Gilbert, MFA, Artist/Knife maker

                            earthknives@hotmail.com
                             360-501-6939

My last post showed how a piece of pine being used in my current project looks before I start working on it.

After running the board through the planer and jointer, it then looks like this:


The planer gets rid of the nasty looking rough surface and leaves what resembles a typical looking board.

This typical looking board is then glued to another typical looking board to create a wider typical looking board. When that wider typical looking board is sanded, it looks more like this:


stay tuned as progress continues...

by Chris Black

I've heard some of you lament that you do not have enough time, tools, space or skills to practice the kind of woodworking you desire. Many times these subtle excuses serve as psychological barriers which get in the way of us doing any woodworking at all. Perhaps all you really need, however, is to become a little more disciplined in how you approach it.

Here are five bits of advice on how to get your woodworking more organized:

Finding Time
In terms of discipline, military garrisons and monastic communities have similar approaches to daily task organization. The structure of these societies lets you know when and where you're supposed to be and what you're supposed to be doing. Our lives have similar schedules although maybe not as strict or intense. If you break down your day into general time phases, you know when you're to be at work, when's dinner and what time you generally go to bed. Mixed among these phases are natural pauses or down time. The trick is to combine these pauses into a phase so you can work some wood or at least think about it.

I generally spend anywhere between 30 minutes to an hour in the shop every morning before going to work. In the evening my goal is to spend another 30 minutes in the shop. Maybe I'll just sharpen a tool or sweep up, but at least I'm in the shop and productive. I find it pleasant to think about my time in the shop during the day. Sometimes I use these mental vacations to work out a design problem or visualize a complicated assembly. Use your natural down times to mentally organize your finite shop for efficiency.

Projects
I find it extremely useful to plan and organize my limited time before I step into the shop. I like to use checklists I make during the day or the night before. These lists keep me on task so I don't piddle. They might be as simple as a finishing schedule or as complex as a detailed cut list. The point is to create efficiencies so you not only enjoy making the project but eventually complete it as well. The key to eating an elephant is to take one bite at a time and to keeping eating. The discipline comes from staying on task and not starting something else until the current project is done. Recently, I finished a wardrobe I started last winter using this method. It took 10 months but it's done. Do this and you won't have 400 half-finished pieces all over the shop.

Skills
With each project I try to learn something new. It's not always a conscious decision, but an overall attitude or approach I take. Perhaps you'd like to learn to hand cut mortise and tenon joints as an alternative to the dowel joints you're more comfortable using. Choose a non-critical part of the project and give it a go. You can even use your shop time to practice a new skill and not necessarily do any project. In thirty minutes a day for a week or two, you can learn to French polish, cut half-blind dovetails or anything else you wish. Woodworking skills are cumulative. They build on one another. Do this for a year and you'll be amazed at what you've learned.

Space
We all wish we had the perfect shop. I've owned three commercial shops over the years, and I can guarantee you none of them was right. They either lacked proper heating and air conditioning, dust control, a decent finishing room or adequate space, and none of them had all the tools I wanted. In fact one shop we kept in my pickup truck. We'd roll up to a job, unload the tools and start building cabinets right in front of the customer's house. Not much fun in the winter or when it rained. Somehow though I managed to eek out a living and make stuff.

My favorite example of space discipline is in The Workshop Book by Scott Landis. One featured woodworker has his shop in the kitchen pantry of his apartment. He has to open a window to plane long boards. Granted he doesn't have any machinery, but he enjoys his craft nonetheless. Woodworking requires vision as much as it does space. Grab yourself a block of basswood and a penknife and go work wood.

Tools
I recently spoke with a fellow who told me that he had been collecting tools and machines for almost 7 years. When I asked him what projects he'd been working on, he replied none, because he didn't have all the tools he needed. He missed out on 7 years of woodworking because he thought he didn't have the right tools. He might not have been able to do everything he could have conceived of, but he was crippled from doing anything at all because of a perception of need. Remember my pickup truck shop? We were able to produce high quality built-ins with a circular saw, a chop box and a cordless drill. Just because your shop doesn't look like Norm's doesn't mean you can't enjoy making sawdust. My kids come up with all kinds of nifty projects with little more than a coping saw, a rasp and an eggbeater drill.

You don't have to become a monk or a marine to acquire discipline, but you do have to get in there and work some wood!

Visit Highland Woodworking's WoodNews Online Archives for more tips and information.

Yesterday I picked up a bench grinder for dirt cheap from CL. The seller said it worked fine, and the price was right. When I went to pick it up the only thing I checked was bearing play. I was pretty unconcerned with electrical issues since I can repair most of those. No play was detectable to my hand so I took it.

I got it home and discovered there was no way the seller could have used the thing. Probably ever. The crimp on the spade connector to the switch wasn't tight, and the grinder would not turn on. No biggie, new connector properly crimped, and it works beautifully.

At the end of this minor adventure, I realized I should document the thought process I went through.

I knew going in that a cheap tool WILL have flaws. Regardless of the story given by the seller. So how to minimize the risk is the real challenge.

For the above mentioned grinder, I decided before going in that the most difficult thing to repair FOR ME would be bearings. Wheels are cheap (and would probably be replaced anyway), electrical is easy to me, even a motor can be replaced if absolutely necessary. But bearings would be the hardest thing to me and absolutely a deal breaker. Grinders are cheap enough new that I wouldn't even take a free one with bad bearings.

So when I got there, and the seller wasn't in a hurry to plug it in and show me that it worked, I just did a wiggle check and spin check on the bearings. They felt good so I paid and left.

When I bought the tablesaw and jointer combo last year, bearings and gears were my main concerns. I knew it was rusty, but surface rust repair was within my reach. The guts were nice, only the bare cast iron surfaces were rusty.

So pick the 'deal breaker' problem(s) and stick to your guns. If you can press bearings all day long, but electrical wiring is a mystery to you, find the stuff with good electrics and bad bearings. If all you are comfortable with is painting, then find the uglies with layers of klown paint and make them purdy.

There are deals out there, but what's a deal to me may not be a deal to you.

My wife and I have three young children. The youngest is a toddler and the oldest, a girl, is now five. One thing I have noticed when I work with power tools whether it is a lawnmower, circular saw, router, or even an electric drill is that there is something absent. There are no kids around.

As soon as they see me pulling it out getting ready to power it up, they go running for the hills. After things are over, and it is quiet again, they come back.

That is in stark contrast to what happens with the kids when I pull out a hand plane or chisel or hand saw. Granted their attention span isn't too long, but they float in and out, watching me work, picking up shavings, just enjoying a few minutes with their daddy.  read more »

This fall, our magazine is sponsoring the first-ever weekend conference devoted to hand tools and learning to use them.

We're calling it the Woodworking in America conference, and we'll be bringing together the country's best hand-tool woodworkers and manufacturers for a symposium in Berea, Ky., on Nov. 14-16.

There will be more than 40 short classes on tools and techniques during the long weekend, plus a marketplace where toolmakers can display (and sell) their wares, social events with the demonstrators and toolmakers and more.

So who is going to be there? Here's the list of people who have agreed to teach seminars during Woodworking in America as of this date (with more to come):

Roy Underhill: Known as "St. Roy" to the legion of fans who watch "The Woodwright's Shop" on PBS, Roy worked at Colonial Williamsburg and then launched his show about traditional hand tools.

Frank Klausz: One of the country's consummate craftsmen, Frank is a professional New Jersey cabinetmaker who trained in Hungary and has a lifetime of experience with the full range of handwork.

Michael Dunbar: Founder of The Windsor Institute, Michael has single handedly revived the craft of building Windsor chairs, has trained thousands of woodworkers and is a passionate student of the art and history of handcraft.

Adam Cherubini: The author of Popular Woodworking's popular "Arts & Mysteries" column, Adam is a devoted 18th-century woodworker who builds period pieces using period tools.

James Blauvelt: A Connecticut cabinetmaker, joiner and carpenter, James owns Bluefield Joiners and is a student and teacher of Japanese tools and traditions.

Robin Lee: The president of Lee Valley Tools in Ottawa, Ontario, Robin has been a driving force behind the expansion of the Veritas line of premium handplanes and a caretaker of the company's immense tool collection.

Thomas Lie-Nielsen: The founder of Lie-Nielsen Toolworks in Warren, Me., Thomas has been making and selling premium traditional hand tools for 27 years. Thomas's company was the trailblazer in reviving many traditional forms of tools that had been lost.

Larry Williams and Don McConnell: Two of the principals behind Clark & Williams in Eureka Springs, Ark., Larry and Don are bottomless wells of information about traditional tools and their workings. Both are accomplished woodworkers, planemakers and tool historians.

John Economaki: The founder of Bridge City Tool Works in Portland, Ore., John has long been a pioneer in developing new (and very beautiful) forms of hand tools for woodworkers.

Konrad Sauer: The owner of Sauer & Steiner Toolworks in Ontario, Konrad is one of the leading makers of custom infill handplanes.

Wayne Anderson:Wayne specializes in designing and building custom infill handplanes that are deeply rooted in the past but are each a completely original work of art.

Ron Hock: One of the earliest and most important players in the revival of handtools, Ron makes high-quality replacement plane irons, chipbreakers and marking knives in Ft. Bragg, Calif.

Mike Wenzloff: The founder of Wenzloff & Sons sawmakers in Forest Grove, Ore., Mike is a long-time woodworker and expert in saws and saw sharpening. His premium saw business has exploded in the last two years.

Joel Moskowitz: The founder of Tools for Working Wood and an expert on woodworking history, Joel has recently been making many traditional hand tools, as well as selling them through his catalog and web site.

Clarence Blanchard: The publisher of "The Fine Tool Journal" and the president of Brown Auction Services, Clarence sees more old tools in a week than most of us see in a lifetime.

Kevin Drake: After studying under James Krenov at the College of the Redwoods, Kevin founded Glen-Drake Toolworks, where he combines woodworking, toolmaking and education. His innovative tools have received numerous awards; we named his Tite-Mark one of the "Best 12 Tools Ever." 

If you are interested in attending, please visit the web site that is dedicated to this conference at WoodworkinginAmerica.com and sign up for the conference's newsletter (the sign-up box is on the top right of the page). You'll then be the first to be notified of when registration will open (it will be before July 1) and the pricing for this event.

Attendance will be limited to a few hundred people (we want to keep the event intimate and manageable), so be sure to register as soon as slots become available. We are expecting the conference to sell out.

There are more announcements and surprises ahead that I cannot share with you right now, so please stay tuned to the blog and the conference's newsletter.

— Christopher Schwarz

It?s no secret that I?m a fan of the work of Greene & Greene. A big fan. Anyone with cursory knowledge of the brothers has heard of the Ultimate Bungalows. These homes, designed by Charles and Henry at the height of their popularity and creative energy, are grand residences built with uncompromising attention to detail. Everyone agrees the the Gamble, Blacker, Pratt and Thorsen houses are in this category. Many include the Freeman Ford house as well. Were I the ultimate authority, the Robinson house would also join the list.

While the Gamble house remained in the Gamble family until it was donated to USC and the city of Pasadena, the other Ultimates have more colorful histories. Most endured some period of neglect or abuse. The rape of the Blacker house resulted in ordinances that protect historic homes in Pasadena. I think the Thorsen house trumps them all, however. Since 1942 the Thorsen house has been home to a fraternity.

I suspect that many of you have seen the movie ?Animal House.? It?s hilarious. It?s a classic. It?s completely unlike the California (Berkeley) chapter of Sigma Phi. The brothers of Sigma Phi take their stewardship of the Thorsen house, which the fraternity purchased from the Thorsen estate, very seriously. Every Saturday morning they work as a group on maintaining the house. They learn its history. They take pride in it.

But keeping up with the demands of a 100 year old mansion (and a work of art at that) is difficult. And expensive. About 9 million dollars. If you find yourself in Berkeley, stop by the house. The brothers will happily give you a tour and accept a donation to the fund. But don?t let an inability to visit stop you from contributing. Send a few dollars and help save an historic landmark, one of the Ultimates. It?s a lot easier to keep such houses around than to wait for another genius to come along and design more.

The Thorsen House Restoration Campaign
c/o Mr. Dan McNear
Route 1
Box 264-E
San Rafael, CA 94901

Tommy and Al provide a sneak peek at the progress of the Bombe Secretary --memorializing the moment with a little song and dance. Enjoy!

I want to do another safety related blog entry before Woodworkers Safety Week gets away from us…

In the shop we should use all of our senses to detect danger. Well, use touch as the last sense for detection. Ya know…if you are unsure whether your table saw is on you should listen for the motor or look for the moving blade before reaching out to touch the spinning carbide.

I think our eyes are the most valuable safety tool we have. Hopefully, we see dangers. Even when we know dangers are present we use our eyes to determine our proximity to them.

So the Jeff Skiver Safety Tip of the day is…make sure your vision is clear by avoiding tears that can cause distorted vision. Therefore, never go to work in the shop immediately after watching any of the following movies:

1) Brian’s Song

2) Old Yeller

3) Love Story

4) Ghost

5) The Way We Were

6) Bambi

7) My Girl

8) E.T.

9) Forrest Gump

10) Pay It Forward

11) I Am Sam

12) Schindler’s List

13) Braveheart

14) Saving Private Ryan

15) Blazing Saddles

Also, if you are in the shop and any of the following songs come on the radio, IMMEDIATELY STOP WHAT YOU ARE DOING!!!!!!!!!!!!!!!!!!:

1) Wildfire by Michael Martin Murphey

2) Honey by Bobby Goldsboro

3) Diary by Bread

4) Think of Laura by Christopher Cross

5) How Do You Mend a Broken Heart by the Bee Gees

6) Still by The Commodores

7) Alone Again, Naturally by Gilbert O’Sullivan

Finally, if you have been reading ANYTHING written by Nicholas Sparks then you should stay away from your shop for at least 4 weeks after you finish the book. You may think you are okay at 3 weeks, but you aren’t. Even three and a half weeks after finishing Message In A Bottle I would spontaneously break down into uncontrollable fits of agonizing tears. Nicholas Sparks requires FOUR FULL WEEKS!!!!!! You’ve been warned.

There is one variation of usage which has struck me forcibly after many years of reading American magazines and Reviews.

Larry Williams' wooden moulding ...

Two weeks ago, on April 1st, I received a call from Maine. I was busily working at Marc Adams School of Woodworking and the call went to voicemail. Later that evening as I drove to my parents’ house (where I stay when visiting MASW) I finally listened to voicemail and found that Andrew from Lie-Nielsen called because he was getting ready to build my workbench. It truly seemed like it had to be an April Fools joke.

Last year about this time I was talking to Mr. Lie-Nielsen, and I had finally decided to forego building my own workbench and just buy one. I asked what the lead time was, and he said, “about 6 weeks.� Thomas told me to call Casey back at the Toolworks and place the order through her. When I called Casey the next day, she told me Tom misspoke about the lead time. I was informed the benches were as much as 6 months out. I went ahead and ordered it, realizing that I would have a new workbench in time for Thanksgiving. Around October of 2007, I called to check on the status of my bench and found that I was still number 83 on the list of 130 people waiting for benches. A new bench for Thanksgiving would be out of the question.

I was lamenting my bench waiting frustration to Chris Schwarz who responded, “Why don’t you just build a bench?!?!?!??!� My response was something like, “Hey, Chris, you know Tom better than I do…. Do you think he would move me up the waiting list if I offered him like an extra Ten Dollars?� Chris replied, “Knowing him, he will either move you down or throw you off the list.�

I don’t think it’s a case of Thomas Lie-Nielsen being The Soup Nazi; I just got the impression he believes in treating everyone fairly. So I waited.

A couple of weeks later, I decided to start building the Holtzapffel Bench. That bench is nearly done, and I really like the design. While at MASW, students work on Lie-Nielsen workbenches, and they are very good benches. However, during the first day of my class with Chris Gochnour two weeks ago I kept discovering little things about the bench that were less efficient than the Holtzapffel bench, given the way I work. I love the massive legs of the Holtzapffel and the fact they mount flush to the front of the benchtop. This design offers clamping possibilities that are not available with the traditional European Trestle base. As much as I thought I wanted a tool tray, I have now grown accustomed to the clear 24� wide top of massively thick hard maple. (Note: Lie-Nielsen benches can be ordered with or without tool trays.)

So on April Fools Day as I pulled out of the parking lot at MASW, I was thinking about how happy I am with the workbench I built when the cellular signal improved and my phone's voicemail reminder told me of all of the calls I had missed during the day. I was thinking about my Holtzapffel bench when I listend to a voicmail from Andrew asking if I still wanted the Lie-Nielsen Bench. I called Andrew the next morning and found out some information… I was now number one on a list of about 200, and they aren’t taking any more orders (for a while). As Andrew told me about the challenges they face in meeting the demand for the benches, my mind began racing through thoughts of various schemes and dreams.

My brain went into Antiques Roadshow Collector Mode. I saw Leslie and Leigh Keno oohing over the bench, saying, “Yes. This is an original Lie-Nielsen Bench….� My brain then jumped to a glimpse of the estate sale with a Lie-Nielsen Bench covered with all of my tools. Patrick Leach’s Full Grown 50 year old Tool Elf was there offering “a hundred bucks for all of this old woodworking crap� which my 52 year old nephew was greedily accepting.

I thought about buying the bench and then immediately selling it on Ebay. How much would the guy who is currently #200 on the list be willing to pay to get an 8 foot long Lie-Nielsen workbench within 3 weeks??? The greedy look in my eyes was replaced with a look of fear as the vision of The Soup Nazi flooded my brain, and I heard Tom Lie-Nielsen’s voice say, “You’re the *^&^%*^$% who sold the brand new bench on Ebay????? NO MORE TOOLS FOR YOU!!!!!!!!�

Then, for about 10 seconds I tried to picture the layout of my shop with a $2000+ 8 foot long sharpening station. I couldn’t figure out where to fit it in. I also couldn’t figure out how to convince Gail to start working nights at a 7-11 in order to bring home extra cash to pay for it.

So after weighing all of these thoughts, I made the following speech to Andrew: “Working on the Lie-Nielsen bench here at Marc Adams’ yesterday reminded me of how nice these benches are. However, I am really happy with the bench I just finished making (don’t tell Andrew that it isn’t actually finished yet). Just in case you guys decide to stop making these benches, I would sure love to have one just from the collector side of things, but I cannot justify it given the lack of space in my shop. So, you see, Andrew, I love the benches you make, but they aren’t right for me.�

Then, feeling like all of those old girlfriends of mine from the 1990’s, I said the phrase that effectively closed my affair with the Lie-Nielsen workbench. I softly spoke into the phone and told him, “Andrew… It’s not you… It’s me.�

Next weekend I will be seeing Tom Lie-Nielsen. I hope things won’t be awkward. I hope we can still be friends if only for the sake of the 30 or so planes, saws, chisels, doweling jigs, aprons, and spokeshaves I own.

When it comes to essential reads in the world of woodworking, I consider "Choosing and Using Hand Tools" by Andy Rae as one of the most important. 

Andy does a great job of presenting an amazing amount of information about a large number of tools both traditional and non-traditional to the woodshop.

This book isn't just filled with a few pictures and a couple of little descriptions of each tool, but instead Andy does a great job of making sure the reader has a good understanding of the limitations and capabilities of each tool and to which family they belong.

Copies of "Choosing and Using Hand Tools" can be found at both Sterling Publishing and also at Amazon.com.

Hendrik has agreed to come back in May to talk about starting a woodworking business.  So remember to get your questions in as soon as possible.

Also, Hendrik is starting his annual three part finishing seminars: 
Part 1 "Preparing the Surface and Staining" - April 26th or May 3rd. 
Part 2 "Hand Finishing and Rubbing Out"    - May 10th or 24th.
Part 3"Antique Restoration Techniques"      - May 31st or June 7th.
So if you live in the Toronto area or feel like visiting it, and you want more information about Hendrik's finishing seminars, send an email to info@passionforwood.com

Of course you can always drop me a line with your questions, comments, suggestions and schwag entries anytime.  Just send them to mattsbasementworkshop@gmail.com.

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With other equally appropriate titles like;

"Sometimes, there is not enough angry music!" and,

"Gonna cave and buy a surface grinder."



Drilling for the lever cap was pretty uneventful except for the sheer size of everything. I spent more time finding a place to stand than actually drilling!

Grinding the dovetails and the cross pins took several hours - I think I am going to need a new wheel. Then, it was time to tape the infill and start lapping. I could not procrastinate any longer.



And then I discovered a glorious benefit to building a 28-1/2" long jointer... the weight of this plane is so significant - I did not have to apply much downward pressure when lapping. All I really needed to do was get it going, steer and then stop it. No small task - but not having to push down really helped.



All the extra time spent getting the piening block perfect has certainly paid off. The sole is about half lapped, the far side is well on its way, and this side is completed. With any luck - the lapping will be finished tomorrow - stay tuned.... !

As requested, here is a photo of the Dovetail Saw which Mike made for me.

It is ...

The doubler's been cut and shaped...now, with Al on pins and needles, it's time to glue it up. Tommy starts by applying a coating of prophylactic paraffin to the doubler's finely worked front edge. Next he pours and then rolls glue on the top side of the writing surface - careful to stay within the guideline he had drawn to delineate the placement of the doubler's forwardmost edge. Next up, it's more glue on the doubler's underside with particular attention paid to the "squeeze-O factor" along the edges. At last Tommy sets the doubler in place, sets the clamps, and phew...Tommy and Al breathe a sigh of relief.

Interested user of the gedongan recently use it as :

* Room decoration

* Partition between pools with the house terrace

* Partition between living room and the other rooms

* Background of the room

First thing - an apology. The last month has flown by - I've been helping a friend with some shop fitting and been travelling all around the country. We even made it as far north as Glasgow - so you see, I'm not joking ;)

Since Yandles woodwork show the plane side of things has been busy - especially since I introduced a Moving Fillister model. A certain Mr Schwarz has taken a liking to this one and I'm building his as we speak. There's also the chance to win yourself a Philly Plane - see here.

Next big thing is the "Hand Tool Event" at West Dean College on the 31st May/1st June. Its going to be an awesome weekend with high profile woodworkers from all around the globe present. Many thanks to Mike at Classic Hand Tools for arranging this one! I'm beavering away in the workshop at the moment making some handsome planes to take along.

And other news - I hope shortly to be receiving "Philly Planes" name stamps so I can finally give my planes the professional branding they (hopefully!) deserve. Stay tuned for photo's.....

Cheers
Philly

Now that shop class is as common in high schools as poodle skirts, lots of woodworkers worry about passing on our enthusiasm for the craft to the next generation. In my house, I?ve started treating my kids more like apprentices, and it seems to be working.

They help clean the shop. They assist me on projects at assembly time. They can work on their own projects on the side when I don?t need them. And ? here?s the odd part ? I pay them (a pittance) for their help and swear them to secrecy on the ?arts and mysteries? of the craft.

This weekend has been a perfect example. I assembled a large run of shelving that I plan to install in the recipient?s home this week. There was a lot of tedious gluing, clamping and clean-up work involved, so I hired 7-year-old Katy to help.

First, I showed her the ?secret? to making the lacquer finish perfectly smooth to the touch ? a folded up brown paper bag. We rubbed all the surfaces vigorously, which knocked down any surface imperfections without cutting through the film finish. Katy did the shelves; I did the uprights.

?Cool,? she said. ?It works!?

As we were bagging the lacquer, both of us noticed that there were some small dings and scratches in the color. This is was the result of the parts getting moved around more than I like. So I swore Katy to secrecy again and introduced her to the mystery of stain pens. In this case, the best match wasn?t one of my stain pens (which I keep hidden away), it was a black Sharpie marker.

In fact, Katy became incredulous when I took her picture at work with the marker.

?What if someone sees the picture and figures out our secret?? she asked. ?Then they?ll know!?

Then we glued up the shelves. I applied the glue. Katy added the Dominos. We both applied the clamps and cleaned the glue squeeze-out. Assembly can be stressful for me, but Katy?s amazement at how the project came together kept my anxiety in check.

We did four major glue-ups this weekend, and by the fourth one, Katy dove into the work like she had been doing it all her life. I wonder if learning woodworking is like learning a foreign language ? it might be easier when you are young.

As I added the kicks to the cabinet, Katy worked at the bench at her own project ? she?s transforming my discarded shop jigs for this shelving project into a wooden alligator.

Then I paid her (about $1 an hour for the shop time) and I asked her if she?d come along on the installation next week. With hesitation, she said: ?Yes! Hurray!?

Next step: Getting the apprentices to fetch the small beer for the master.

? Christopher Schwarz

How you dress your windows is an important piece of your overall design and a lot of thought should go into the style and fabric used for your bedroom window treatments.

How do you know which window treatment is right in your bedroom?

There are 3 basic types of window treatments that can be used alone or in combinations. Here?s some tips on these basic types and what style of room you might choose them for.

Curtains and Drapes

Curtains and drapes are a style of window treatment that most of us can recognize but there?s many variations on this old standby. If your bedroom design is simple, you might choose just plain sheers as these will go well with many themes including a romantic theme, a modern theme and anything in between.

Valances can be used to soften the top of the window. They are great if you don?t want to cover up a great view but also don?t want the window to look too bare. Typically valances are made from fabric but you can build them form wood and decorate them with an aged or stencilled paint to go with your Tuscan or French country design. Fabric valances can go with almost any bedroom decorating theme depending on the fabric you choose and can be used in conjunction with sheers to give you a bit of privacy.

Drapes are an elegant bedroom window treatment. If you have a romantic, French or Victorian theme some heavy drapes in rich fabrics can transform your bedroom into one fit for a queen. Heavy drapes look best on tall windows, but if you short squatty windows like most homes built in the 60's - 80's don?t let that deter you from using great drapes. You can always just keep them closed to hide the window behind and no one will ever know the difference!

Wooden Shutters and Blinds

Indoor wooden window blinds are a great way to add privacy to your bedroom and can be used alone or with curtains, drapes or valances.

There are 2 styles of shutters - plantation shutters and café shutters.

Plantation shutters cover the whole window and have louvers which can be opened and closed to let light in or provide privacy. These shutters go great with a plantation style look, a country look or a coastal cottage look.

The café shutters are the kind that cover only the bottom half of the window and swing open to let light in. These also look nice in a country or beach style bedroom and are perfect for a Paris apartment style as well.

Fabric Blinds

Fabric blinds add a nice touch to any bedroom and can be decorated and embellished with whatever you want. Fringe, pom-poms and ribbon are just a few of the great ways to make these bedroom window treatments stand out.

Roman blinds work well for childrens rooms and informal styles such as cottage or beach style decor. These shades fold up to expose the window during the day and roll down at night.

Festoon blinds are puffy with lots of fabric. They are quite ornate and work best in a romantic style bedroom such as a Victorian, French or Italian motif. Festoon blinds look best on wide windows and might not be good for small rooms as they can tend to be a bit overwhelming.

Lee Dobbins writes for http://www.bedroom-designs-and-decorations.com where you can learn more about popular bedroom decorating styles.