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295 It's A Monday!!

08/18/2008, 03:24 | Matt's Basement Workshop Podcast

It's a Monday and that means it's time for Magazine Monday!!!

Over the weekend I spent a lot of time at the computer and it got me to yearning for a project in the shop.

So in today's episode I'm sharing a few of those thoughts with you!!

Don't forget!! Hendrik is back in September so get your questions in for our open Q&A session.  If you're planning on being at the IWF in Atlanta, anyone wanting to have a chat with Hendrik can leave a message for him in the Press Lounge.  Or, better yet, he'll be attending The Wood Whisperer's after-show get together Friday evening, August 22nd.

If you'd like to enter for free schwag or just have a comment, question or suggestion drop me a line at mattsbasementworkshop@gmail.com or  head over to my website at 231 354-2338.

Listen to today's show by clicking on the player below

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Woodcraft.com - Helping You Make Wood Work

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294 The Featureless Friday???

08/15/2008, 05:19 | Matt's Basement Workshop Podcast

Hey everyone, today we have the featureless friday!  More or less, I've been bitten by a bug and I've down for the count since tuesday.

But that's no excuse for not having a show and not giving away free schwag to the greatest listeners in the world!!!

So I have a few things to share with you and a little fever ridden rambling too!!

Don't forget!! Hendrik is back in September so get your questions in for our open Q&A session.  If you're planning on being at the IWF in Atlanta, anyone wanting to have a chat with Hendrik can leave a message for him in the Press Lounge.  Or, better yet, he'll be attending The Wood Whisperer's after-show get together Friday evening, August 22nd.

If you'd like to enter for free schwag or just have a comment, question or suggestion drop me a line at mattsbasementworkshop@gmail.com or  head over to my website at 231 354-2338.

Listen to today's show by clicking on the player below

powered by Podbean.com

Woodcraft.com - Helping You Make Wood Work

To download directly to your computer Right Click on direct download, choose "Save Target as"

Workshop for Lilliputians

05/01/2008, 00:37 | The Village Carpenter
June marks the 4th anniversary of the completion of my new workshop. Prior to that, I worked in a basement shop with concrete floors, 6 foot ceilings, exposed lightbulbs, and exposed knob & tube wiring. Dungeon-like.

Yet it was still my favorite place in the house.

I dreamed for 10 years of having an above-ground shop and when I finally decided to have one built, I spent a full year researching heating systems, insulation, material, lighting....everything.

I even built a to-scale model of the shop, complete with all my equipment, just to make sure that everything would fit and that I would be able to tell my builder where to put the outlets. I determined where to put the 18" bandsaw in relation to the back window, so that long boards could stick outside and rest on the sill while I ran them through the blade. The model also helped my builder work up pricing.

The first design had a second story and a finishing room closed off by a sliding door. After my builder told me how much it would cost, reality set in, and both those luxuries were crossed off the list.

The model itself was built hurriedly?just plywood tacked together with brads?but it helped immeasurably when I was able to tell my builder where to put my 300 pound band saw and 400 pound table saw, as he and his helper carried them out of my basement shop and into the new one. They were able to plop them down exactly where I wanted them. I doubt they would have appreciated some lady telling them to "Move the table saw to this wall. Nah, that's not right?move it to that wall instead. A little to the left, no right."

The next sound I would have heard would have been my contractor and his helper slamming the door shut behind them, leaving a trail of expletives in their wake.

Planning for and designing my shop was an exciting journey, and I ended up with a cute little woodworker's dollhouse in the process.

Building the Woodshop: Part VI - Walls

01/11/2008, 22:22 | Norse Woodsmith

Part VI

With the foundation finally out of the way, it was time for my part to start - framing. I find framing fun, so long as it's not my regular job... and I have done it in the past, so I wasn't too nervous about doing it, except for one thing - the wall framing would be full of angles and small complications that would challenge my abilities... but then again, I like a challenge.

I started by putting together a list of materials I would need, and set out to visit suppliers to get some prices. I'm fortunate to have a large number of building supply outlets all within a close distance to where I live... I didn't get to a fraction of them and I visited two borg stores, a lumberyard associated with a nation-wide chain, 1 local franchise lumberyard (several different locations, but all of them are located within a 100 mile or so radius), and two locally owned lumberyards to get prices. The borg prices were not all that far out of line - but those places simply aren't set up well for putting together large loads and they were the furthest from my house, not to mention the service was basically non-existent from these two places in my experience, so I ruled them out almost immediately.

One of the two locally owned lumberyards' clerks told me that "their estimator is out on a job today - but I'll take your list and he'll get back to you first thing tomorrow"... I never heard from them again. Honestly - if they can't call me back on a larger purchase like this they either don't want or deserve my business. I did notice these guys were out of business/were bought out about a year later - I wonder why?

The national chain store lumberyard's prices were relatively high for my tastes. A friend who was also pricing out a shop told me they were by far the cheapest he had found - but he was buying a packaged garage design, vs. my "custom" order, so that may have had something to do with it.

That left two yards to visit, and these two yards became the final 'competitors' for my business - the local franchise and the other local lumberyard. The cheapest cost I found was at the local franchise store (who also happened to have the closest store), with two caveats - their lumber was of lower quality and their service wasn't all that stellar (not bad - just not stellar). The local yard was more expensive, but the quality of their material was much better... But something else happened while I was at the local yard that convinced me to go with them...

While getting a list of prices from one of the clerks, he asked the fellow behind him what the current price was on OSB, who looked at my list to see how much I was looking for. He said something like "well, for this much I think we could do $6.75" (which was 25 cents more than the other's price). He then looked over and started asking me about what I was building, and we struck up a conversation. Turns out he was the owner of the yard, and we both came from similar backgrounds... In the end, he won my business the old fashioned way. It did cost me a few hundred dollars more to do business with him, but I can say now that the price was well worth it - his little lumberyard gave me by far the best service of any I had dealt with up to then - or have since.

From there, i took my material list and divided that list up into the order needed, starting with the wall framing and roof framing, the roofing, and the trim, siding and interior work. This would allow me to pick up materials and not have to have them sit outside or be in the way while I was working on the building... Here's the very list I used:

list

I had decided to use 2x6 studs @ 16" O.C. (On Center) for a couple of reasons - first, for the insulation value. In the large scheme of things, they don't cost all that much more money over using 2x4's. Second, one of the main tenets of the gathering darkness that is the future is the cost of energy. It may or may not happen, but to me it's better to be over-insulated rather than under. Energy costs can become crippling - though they are "relatively" inexpensive now, that may not always be the case.

This is also the biggest reason I don't have a large amount of windows - though I may regret this decision the most of all Natural daylight is a huge bonus, but it does come at a price. There's not just the initial cost of the glazing, there's the added cost for heating to consider. I did end up bumping up the size of the windows to the next size, which I think was a good decision.

Another reason is so it holds what's nailed to it without "waves". Structurally, 2x4 studs at 24" o.c. are fine, and will easily hold up the building. You could probably get away with even less... But then any siding you nail to it, or drywall, or even plywood - will not be held straight and become wavy over time. It might not be right away - but it will happen.

Anyway, I now had the material, and it was time to start building. The very first walls I needed to build were the most complicated - the north and south ends, both having a gable; and since I was using rafters and not trusses for the roof, it meant the studs would have to be framed old-style.

I used to know how to use the a framing square, and all the functions that go with it like rafters and the like. But it's been too long, and not having used that knowledge it's long slipped from my grasp. Fortunately, I am an architect - and have access to computer drafting programs that allow me to size each stud *exactly* and help me layout their location on the top plate even though they are angled - here's the framing plan for the north wall:

North wall going up

You can easily see the benefit of knowing how to use a cad program here. I was able to size each individual member and provide for space for the lookouts all before lifting a nail. I printed out a copy of the above and framed up the main part of the wall (not including the lean-to part) exactly as shown on the floor of the shop, and did the same for the south end (which I will show further down). Then, it was time for an old fashioned "barn-raising" - I gathered a few friends and relatives to help me put the walls up:

North wall going up

Most of the time, you would build the wall so you could tip it up right where it wanted to live - but I could only get these guys together for the one day, so I built both the north and south walls to have them ready... There wasn't enough room on the slab to build them in place, so after we got the wall up we had to shimmy it down to it's final resting place and lift it up over the anchor bolts. I don't mind telling you - these walls were HEAVY! The more help the better.

South Wall

A sill seal goes down first to fill small gaps between the bottom plate and the concrete foundation wall. The bottom plate is treated wood by code - this is done as it's the most likely location for water to puddle and over time rot the wood.

Once in place, the wall were roughly plumbed and then braced with 2x's tied to stakes driven in the ground or using a pair of 2x's to form a triangle on the inside. These were the only two sections of the wall I planned on tipping up like this - the rest would be built in place by myself.

Next up was the south wall:

South Wall

The studs were all sized in that drawing, and I created a second drawing to help me lay out their location on the top plate:

South Wall

Then it was on to putting up that wall:

South wall going up

After it was in place it was also roughly plumbed and bolted down to the anchor bolts in the foundation:

South Wall

Once the walls were up and the help was gone, I went through and plumbed the two walls. To do this, I parked one vehicle on each side of the wall and tied a rope on each side of the wall, in a loop around the top of the stud and plate where the existing brace we had put up was located down to the bumper of the vehicle. I left a little slack in each line and using a stick, tightened the line like the cord on a bow-saw... Once the slack was all taken up, I removed the nails holding the brace and re-plumbed the wall, tightening the side it needed to go to by twisting the rope on that side more until the wall read plumb., then nailed the brace back into place. You can apply a great deal of pressure using this method, and I was able to plumb the walls around the entire building using this method.

Then it was on to the east wall (the top in the graphic below), which I framed in-place:

Wall Framing

The headers over the windows and overhead door are triple 2x10 with a 1/2" plywood core, a diagram of which I will show in a minute... The .

This tied the north and south walls together on the east side, but I then figured should tie the west end of these sections together at the spot where the "main" roof butts into the "lean-to" portion of the roof - the spot labeled #7 in the graphic below:

 

Wall Framing

This is to be the main beam for the roof at that spot, so it needed to be a pretty substantial - and straight - beam. I started by first setting up the two 6x6 columns at their planned locations that the beam would rest on (asking a beam to span 32'-0" is a bit much for traditional construction), as to split the span into thirds. A "U" shaped Simpson column base is bolted into the concrete and fastened to the column with nails and plumbed by forming a triangle with a pair of 2x4's nailed to the column to hold them in place - you can see them in the photo below (with the beam already in place):

Sheathing

The columns at each end are simply nailed together 2x6's that rest within the confines of the stud wall.

It was then time to construct the beam. The beam is made up in layers - first a 2x10, then a layer of 1/2" CDX plywood, then another 2x10, a second layer of CDX, and finally a third 2x10. It works out well with the layers of plywood, as then it ends up the same width as the 6x6 column it rests on:

header

It's great to have an air nailer for jobs like this - it would wear you out quickly nailing all of this by hand, there are a LOT of nails. Fortunately, I still had my old framing nailer from back in the day.

There was no way I was going to be able to construct the beam on the ground and lift it into place on my own, so I constructed it in place by placing the first 2x10 in place (crowned so the higher point is pointing up), holding it by nailing scraps of plywood to Then it was the next 2x10, and so on until the beam was complete:

Wall Framing

A composite beam like this is stronger than a solid beam... the layers help guard against natural defects in the wood, and provide a more homogenous beam across it's length. It's still a bit of a stretch - and by code, these beams aren't heavy duty enough to span the entire distance - so I will add in some knee braces later in the construction process. For now, they will be enough.

To level the beam I used the old bucket of water with a clear hose trick, the same sort of one one documented here on the Taunton web site. I had tried a line level, which is what I used to determine the length of the columns, but ended up having cut the columns about 3/8" too short... Using the water level eliminates such inaccuracies - but I hadn't remembered the trick until after I had cut them. They can be a little difficult to use when you are by yourself and trying to measure a column that has nothing holding it up yet anyway, I guess... Anyway, the short columns were an easy fix with a "shim" of 3/8" plywood.

From here it was a matter of finishing up the rest of the walls and installing the sheathing, which ended up being 7/16" OSB:

Sheathing

There are some that don't like this product, and will only use plywood... Truth is, this material will work just fine for sheathing and is more environmentally friendly than plywood is. And - here's the real issue - it was cheaper.

For bracing, the sheathing on the four corners of the building were specially nailed to create what known as a "braced wall panel". This is done to stiffen the structure against it's natural tendency to lean. The special nailing basically means using ringshank nails 6" o.c. around the perimeter and down each stud line. Another good reason to have a nailer handy - that's a lot of nails.

One thing to remember here, which I nearly forgot:

Sheathing

You can't get into these corners after you've nailed the sheathing on - and if you don't, the corner will always feel cold in the winter and it will be a spot where heat can escape the envelope. Taking your time to insulate the building properly can make a HUGE difference in your heating bill, so if you are building a shop I would suggest you do this - even if you are not planning on insulating it. Someone may want to someday - and it's not much money to do now, but will cost you plenty later should you decide to heat the building.

That's probably enough for this installment. Up next - the roof!

For This I Get Paid? Part 1

00/00/0000, 00:00 | Popular Woodworking

Monday morning, I left my house at 5:30 a.m. to drive to Franklin, Ind., to the Marc Adams School of Woodworking. I had to be there by 8 a.m., and while it’s only an hour-and-a-half drive or so from Cincinnati (if one drives too fast, as I am wont to), I tend to get lost. And I got lost. Twice. But, I made it by 7:30, and I had my bench set up by the 8 a.m. start.

I’m taking Phil Lowe’s “Building a Demilune Table” class. Not only is it my first foray into curved work, I’ll also learn to hammer veneer. I’m using mahogany for the legs and top, and bird’s-eye maple veneer will be applied (along with banding of a species yet-to-be-determined)to a substrate of poplar. Monday, each class member cut a series of short pieces of secondary wood, which will be bricked to make the curved substrate for the apron (we’ll pattern rout to an MDF template once the polygon is assembled).

While all of this is new and exciting, what I found most revelatory was the planning process. On a piece of butcher paper, using only a T-square, two triangles, a 6” rule and trammel points, Phil produced beautiful full-size orthographic and isometric drawings of our project in less than two hours – all with seemingly no math. I must learn this.

Not so exciting? Prepping for hammer veneering. While I’m delighted to be learning this traditional skill, Phil prefers his hide glue well done. So although we won’t be dipping into the glue pots for at least another day, the redolent scent of cooking collagen hangs in the air. That ought to go well with breakfast.

— Megan Fitzpatrick

Read part 2 by clicking here.

The Carver's Mallet Part 2

00/00/0000, 00:00 | Wood Destruction by a Woodscrub




The Carver's Mallet Part 1

In Part 1 I talked about making the handle from curly maple and fastening it to 3 layers of cross grain laminated wood.

Now I'm adding the rest of the laminated layers to the mallet and turning the assembly on the router.

As mentioned before, the head of the mallet is made from laminated 1/4" wood, oak and padauk. I had enough scrap 1/4" wood to make it a total of 14 layers. 10 oak and 4 padauk. The bottom three layers attached to the handle and then I stacked the rest on that, gluing up 3 at a time because even that many gets squirrelly when clamping the freshly glued wood together.

The photo above is the final clamping of the entire assembly. Those Harbor Freight bar clamps fit perfectly into the 3/4" holes in my clamping table.

I quickly made a jig from particle board to hold the mallet at an angle over my router. This idea came from an article in one of the wood magazines (I forget which one). The idea is to be able to rotate the mallet over the router bit to give it a smooth face at the correct angle. I wasn't confident enough in my turning skills to use the lathe on end grain oak, so I wanted to use the router.

It was a mistake.

Several times the router grabbed the piece out of my hands, chewed it up, and spit it back at me. I'm glad I was wearing goggles!

I finally gave up on the router and put it on the lathe. I gave my turning chisels a fresh hone, held my breath and started cutting.

Not bad! Not bad at all! Some tearout on the oak end grain, but overall a good turn. I'm very comfortable with the end result. Too bad I had done so much damage to the head already with the router. Otherwise I'd be able to say it was perfect. As it its, the mallet is just ok. There is no finish on the mallet. Just 2 coats of Butcher's wax. The photos were taken before the wax was applied. That shine is from good cuts alone!

Not really. It's from sanding down to 2000 grit. =D

This is a small mallet. I am planning to take what I've learned and turn a larger one with maple for the head.

The photos here show the damage, the turning on the lathe, and the final finish photos.

I hope this helps inspire you to try your hand at crafting your own mallets! It's satisfying picking up a tool that I've made myself!

“Mantown” - Shop of the Week

00/00/0000, 00:00 | The Wood Whisperer

This week’s shop comes from Mike in Pittsburgh, PA. Let’s check it out!

“It all started in Aught-Five, when my lovely wife and I decided it was time to add on to our 3 bedroom colonial. With two little girls and a whole lotta Fisher Price stuff, we were starting to feel cramped. So I took advantage of my very handy retired-architect dad and we built ourselves a 1,100 sq. ft. three-story addition. During this project, I managed to reserve a 12′x12′ plot of space in the basement that has since been dubbed Mantown.”

Mantown is on the cozy side and has a very low ceiling. But I put in double doors that open out under the deck. This allows me to get things in and out easily and to cut larger items on the table saw, which rolls into place when I need it. The doors and window also give me plenty of natural light to work with. I even thought ahead and had the window made with tempered glass, for when I accidentally put a pipe clamp through it. Also, rather than drywall, I put pegboard up directly onto the studs, an idea that seemed great at the time, but frankly I’m starting to think pegboard is overrated.”

Mantown has a long way to go before being complete. Tool-wise, I’m just getting started. Delta 10″ contractor’s saw, Delta drill press, and a Makita sliding compound miter saw are the major tools. I also have been doing a lot with my Kreg pocket hole setup. The wall containing the miter saw is pretty much temporarily thrown together, but I’m working on a master plan for it to improve storage, utility and all-around coolness. I’m also planning to incorporate a router table into the right side of the table saw and am debating dust collection options while currently using a shop vac connected to the tools wherever possible. The alcove next to the interior door is handy for storage as well, though I had to make sure to position the shelves at the right height to allow a 8′ board to be cut on the miter saw.”

“Despite the size and small tool collection, I’ve been quite productive with the space, mostly building what needs to be built for the addition. In the pictures you can see an entire built-in unit and new fireplace mantle, made of a combination of ply and pine with a tile top (and, okay, Dad helped). My most recently completed project is a student desk and bulletin board for my eight year old daughter, with love from daddy.”

“I’ve started work on built-ins for our home office, and have so far put together a desk for my lovely wife, which will eventually become a full wraparound suite of cabinets once we get rid of that gawdawful wallpaper (and yes, a gadget station included!). The desk was actually one of my first projects, during which I learned things like paying attention to grain direction, book-matching panels, and how to stain wood correctly (all after the fact, of course). Building the desk was also a strategic move on my part to convince said lovely wife that Mantown is really “all for you, honey”. So far it seems to have worked. Wait till I tell her I want to knock out that wall behind the miter saw and make it bigger!!! I appreciate any commentary, especially suggestions on how to turn my 7′ ceiling into a 9′ ceiling.”




Related Posts

Episode 16 - Bombe Series - Pigeonhole Assembly Planning

00/00/0000, 00:00 | T Chisel - The Rough Cut Show!
Before Tommy can get started cutting and shaping the pigeonhole assembly he needs to select the style and get a 1:1 scale plan together. Tommy walks us through his thought process on selecting the style and how he preps to cut.

Getting in Touch With Our Inner Europe

00/00/0000, 00:00 | Popular Woodworking

I think I was in the DeWalt booth when I suddenly felt the tide turn.

One of the company’s product managers was explaining the new guard on the DeWalt jobsite table saw. It was one of the new riving-knife-based guards that all the manufacturers are installing on their machines to comply with new government standards.

“This guard is so easy to use,” the product manager says, “the user won’t have any excuse or reason not to use it.”

And with that he installed all three components of the guard on the saw in less than 17 seconds (I timed him).

When I say the tide turned at that moment, I mean that at that moment I realized how many times I had heard that same speech – and almost those same words – used by other manufacturers as they introduced their new European-style guards during the last 12 months.

Bosch, Delta, Steel City, Grizzly and Jet have all been eager to show off how easy their new guards are to use. Whereas during the last 13 years I’ve covered the industry, usually the guard was discussed like this: “And there is a clear plastic guard.”

Those old guards, which were required by government regulations, were practically useless (as we all know). And they’re rarely used. Heck most people probably couldn’t find their table saw’s guard hiding somewhere in their shop.

But now suddenly a safe saw is a selling point. Wow. That’s a big change. As I began to look around a bit, I realized that many European-style tools are now infiltrating our American shops. Don’t believe me?

In the last three years Festool has gone from being a niche toolmaker to a company that makes the tools that everyone wants to beat. The Festool Domino, a feat of European engineering, is probably the most visible evidence of this. But you also see other clues: DeWalt is introducing two plunging circular saws to compete directly with the Festool TS 55 EQ.

Last year Jet Tools introduced a new European jointer/planer – and this year is introducing another version of that machine with a helical cutterhead. SawStop has always used European guarding on its saws and has successfully used safety as a selling point – and the company just continues to expand.

Even Grizzly Industrial – long a mainstay of Taiwanese and Chinese manufacturing – has been putting down some Teutonic and Italian roots. Parts of some of Grizzly’s sliding table saws come from Germany and Italy. And right now, there are four Grizzly products that are made in Germany, including a sliding table saw and a wet sharpener. Plus the company is introducing more European-style machinery that is designed in Germany but built in China.

So what does this mean for U.S. woodworkers? Good things, for the most part. I’ve seen what Festool is planning on introducing to this country in the coming years, and a lot of it is exciting stuff. Plus, I’ve been in European workshops and can say they are safer and healthier places to work.

But the tools are more expensive (usually because of the quality). And I find that many of their machinery setups are more complex than ours (mostly because they use the guards properly).

So as the DeWalt’s new table saw guard clicked back into place onto the top of the saw I concluded a couple things: American woodworkers are due for some changes in the way we work. But I also bet that as Americans, we’ll find a way to mix the Budweiser with the Beaujolais to suit our tastes.

— Christopher Schwarz

A Scottish visitor with California plates

00/00/0000, 00:00 | Sauer & Steiner

I first met Stuart Page at The festival of the Tree last August. He was there for the full 3 days and spent a good portion of his time bouncing between Rob Cosman, John Lloyd and myself. He was very enthusiastic, full of great questions and insight - we all loved having him around our respective booths.

Many months ago, Stuart contacted me to let me know he was planning a 3 month travelling tour of North American furniture makers and toolmakers and was wondering if he could stop in for a visit. It was great to hear from him again and I was quite excited to have him over.

On June 23rd - Stuart arrived in Los Angeles. He has been keeping a blog - curiously named, One hairy arm goes west. One of his first stops was to see Sam Maloof - and I am very envious of that visit. Sam is on that very short list of people I would dearly like to meet (along with Harrison Ford and Maynard James Keenan). And after Stuarts description of their time together - I am all the more green.

He arrived on Tuesday afternoon (July 23rd) around 3. I was on the main floor working away on an A1ss panel plane (more on that in another entry). He had just driven from Calgary... and to use his words - was a little “road worn”.

Stuart was very direct about his intentions the minute he walked in to the shop. He did not want to get in the way of my regular schedule and workday... but was hoping for a “fly on the wall” approach. I was pleased (and a little relieved) to hear this - and it turned out to be a wonderful experience.

At one point, Stuart offered to help in the shop with things that are challenging for someone to do on their own. Hmmmm... a shop helper....?

I need to back up a bit. I have two amazing sets of planes that I am itching to start into... but I am waiting for the last few % of moisture to come out of the Ebony. Quite frankly - I am really tired of waiting... so I started thinking about building a kiln. In the June 2006 of Woodwork magazine (No. 99), Ejler Hjorn-Westh wrote a wonderful article about building a kiln for under $500. This seemed like the perfect project for Stuart and I. I handed him the article and he just smiled... perfect.

Hmmm... where to put it?

We walked around the shop to find an empty spot for a 20"x 20"x 7' item. The best location was the first one we discussed - above one of the 48"to 60" shorts storage areas.

I had some scrap plywood from previous adventures - but we needed two 4'x8' sheets of plywood. I figured I would treat Stuart to the full North American experience and introduce him to the often understaffed “Orange Box”. I shouldn't complain... they did cut the two sheets to size for us.

Anyway - a few hours later - we had a kiln. Here are a few photos.



It tucked in perfectly above the shorts storage - and I didn't even have to move the phone or the furnace switch!



Here it is with the door open.



The baffle is a 1/4" piece of peg board.



The opening on the right is the dry air return to keep the air circulating.

I will be drying a test piece of Ebony to see how it goes. I will certainly post the results - regardless of how it turns out.

Thanks again Stuart for all your help with the kiln and keeping me company between piening, lapping and shaping.

Oh, and the one hairy arm... it really is ONE hairy arm... the other is pretty clean shaven.

I am the Lizard King...Wait...Different Doors

00/00/0000, 00:00 | Skiving Off
Dublin is famous for its painted doors. The legend is that a husband returning home late from the pub entered the wrong house, got into bed with the wrong woman, and was shot and killed when her husband arrived at his correct (although crowded) bedroom. Therefore to add another visual clue to drunken Irish men that they had found the correct house, women would paint their doors a distinctive color that was different than their neighbor's.


The Dublin Doors were great. This massive nine foot tall door at the Bunratty Castle provided a lot of interesting woodworking-related thoughts as I pondered its construction.


Then, there were the doors in our condo. The condo in County Clare that we rented for a week was truly beautiful, but it has the ugliest doors on the planet. I say this as a woodworker. My travel mates didn't seem to be as bothered by the doors as I was. However, these doors were intentionally made using raw materials that to me were unworthy of being used in a bonfire...let alone a show-off piece in someone's home. Perhaps this is an Irish cultural difference that I just don't get. However, I think this is just an example of cheap construction being marketed as a feature.
I freely admit that I don't like Knotty Pine. I also don't like Knotty Cedar even though there are very few clear Select and Better Western Red Cedar Boards used in the ceiling of my sauna.

In my projects I meticulously plan out my lumber to match grain and create visual harmony. So the thought of intentionally including knots strikes me as weird. There have been times where I kept in a knot to add some texture and variety, but even then it was done with great effort...(I used wood flour and epoxy to fill in the voids and stabilize the structure of the knot).

That kind of planning did not go into the construction of these doors. Here is what the doors looked like.

The panels were glued up from boards no wider than an inch and a half. The knots themselves were cut in half and then glued against clear sections of adjoining boards only an inch and a half wide.

Prior to becoming a woodworker, I would have never noticed these doors. Now I have just enough knowledge to recognize a door that should have been installed in Dublin where it could have gotten a bright Sears Weatherbeater covering.

Blum Hand Planes — A Great Design

00/00/0000, 00:00 | WoodworkingONLINE.com

As I was stepping out to do a seminar on hand planes and scrapers at the Woodsmith Store last week, I noticed a couple of new items on Randy’s desk. He had just received two new planes from the Blum Tool Company, a small firm in Walnut, Iowa. The owner, Gary Blum, was kind enough to send Randy a smoother and a jack plane. They were strikingly beautiful with their all wood bodies of maple and cherry. And they had a very unusual blade and adjustment arrangement, But I’ve seen good-looking wooden planes before and been a little disappointed. For a lark (and because I thought they’d at least make good window dressing at the seminar) I took them both with me to the store.Blum Plane.jpg

After setting everything up for the seminar, I had a little time to spare. So I dug out the instructions on the Blum planes and gave them a quick glance. I wasn’t planning on doing an extensive setup or anything, but I wanted to at least see how they worked. After all, they had a different design from anything I’d ever tried before.

You see, they don’t have a conventional plane iron. Instead they use a small blade which is attached to a massive (¾”-thick) adjustable, frog-like device. Sounds complicated, right? Not at all. A star knob on the back loosens to allow adjustments of the blade depth. You just set the depth and angle of the blade with two knurled screws, tighten the star knob and you’re off. 

After five minutes of tweaking the smoother, I was taking whisper-thin shavings off a birdseye maple board. Okay, now they had my full attention. I already liked the way they felt in my hand (very light weight with a comfortable tote), and clearly they were serious tools—not just eye candy.

Gary makes only four designs at this time, the smoother and the jack that I tried out and a fore plane and jointer. Prices are more than reasonable, ranging from $199 for the smoother to $245 for the jointer. (Although Gary charges a little more for rosewood versions of these designs.)

To find out more about Blum Tools, check out Gary’s website.