I'll try not to get into techno-garble but obviously we are all internet users here. I've started using an online app called Google Notebooks and it is a great tool for researching and sharing ideas and discoveries. I've been using it to organize notes and online info about tools and woodworking. You can publish your notebooks as webpages for others to use and also set it up to have multiple users add to the notebooks. The best thing is that it is easy to use and edit. Here are some notebooks I've made public Layout tools Workbenches Saws If anyone would like to join me in building these notebooks, just email me and I will add you to the list of editors. As these are filled in, it will create a great resource that is fully searchable.

arc welding

Some woodworkers consider a band saw the most useful tool in a woodworking shop. You’ll learn why Doug Hicks feels this way during this week’s Woodsmith Woodworking Seminar Podcast. During this podcast, you’ll get some tips for buying a band saw and blades. Plus, you’ll learn how to properly set up a band saw and a few techniques you can perform with this versatile machine.

If you’re interested in picking up a downloadable copy of the seminar guide (in case you want to follow along during the podcast), be sure to check out the Woodsmith Podcast Store. Also this week at the store, you’ll find a link to some good deals on a few band saw upgrades that Doug mentioned during his seminar. And as always, all of the great information provided during the seminars comes right from the pages of Woodsmith magazine. If you like what you see in the podcasts, click here for a free preview issue of the magazine.

ものづくり研究会では毎年３月初旬に楽しい実習があります。
学生達が学びたいことをリクエストし、それに合わせて外部の先生をお招きするのです。
今回は、からくり人形を作りたいという学生のリクエストにより、名古屋のからくり人形師、玉屋庄兵衛さんにお越し頂きました。
We have a series of interesting lessons at this time of the year.
Students request what they want to learn in addition to what we provide here in the Forest Academy. We invite professional craftspeople as lecturers for the special lesson. This year one of our students wants to learn how to make Karakuri Ningyo, the Japanese automata. We invited Mr. Shobei Tamaya, the Karakuri Ningyo maker and performer in Nagoya.

玉屋さんは九代目。マサチューセッツ工科大学や大英博物館など世界中で公演の実績もある、日本を代表するからくり人形師です。
まずは実演していただいたのですが、これがすごい。
弓曵童子という、江戸時代のからくり人形を復刻したものです。
Tamada is one of the most known Karakuri Ningyo makers in Japan. He is the ninth Shobei Tamada. He has performed and lectured worldwide, including British Museum and Massachusetts Institute of Technology.
He first showed us one of his works. Yumihiki-Doji or the Arrow Shooting Boy was originally made during Edo era and Tamada reproduced it.



すべてぜんまい仕掛けで、人形が矢を取り、狙いをすまし、矢を放ち、次の矢を取ります。
The doll picks up an arrow, aims at a target, shoot the arrow, and picks up the next, all driven by a spring.




からくり人形師は内部のメカニズムから、着衣、頭（かしら）まで、すべて自分で作るのだそうです。
今回の授業では、からくり人形の頭の彫り方を教えていただきました。
頭は目の詰んだヒノキを使います。
視線を上げると嬉しそうな、うつむくと悲しそうな表情をみせる頭は、能面の技法が用いられています。
The Japanese automata makers make all the pieces by themselves, from the internal mechanism to the face carving, even doll's clothes.
Students learned how to carve the face. Fine grained Japanese cypress is the material. It uses the same technique as the Japanese Noh play mask making, so that it shows delightful face when looking up, and sad face when looking down.

右が先生のお手本。左が学生のもの。

２日間で、玉屋さんの手もずいぶん借りながら、頭ができました。
学生の感想はこちらから。
It took two days for the studens to roughly carve the face, with a lot of help from Mr. Tamaya.

This weekend I was back in Chicago at Jeff Miller's Studio taking a class on shaping and bending wood.  It was a lot of fun and really opened my eyes that there's more to design than straight lines and slight arcs!

For more information on classes with Jeff Miller checkout his website and class schedule at www.furnituremaking.com.

REMEMBER!  If you have any comments, questions, suggestions or you want to enter for some free schwag drop me a line at mattsbasementworkshop@gmail.com or you can always leave a voicemail at 231 354-2338.

Hendrik is back this month and we're talking about "Why we woodwork".  We'd love your feedback on why it is that you woodwork also, so call or write in to the show.

Don't forget too that Hendrik is wrapping up his annual finishing seminar:  Part 3"Antique Restoration Techniques" - June 7th.  Also, coming up on June 14th, Hendrik is conducting a seminar based on his book "Starting and Running a Woodworking Business"at his Acton, Ontario Workshop.  If you'd like to attend or just get more information about these seminars contact Hendrik at info@passionforwood.com.

If you have the time, please take the new listener survey.

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She was short. It was 1996, and I still remember holding her in the Steak ‘n Shake parking lot and telling her that I wouldn’t be gone long. I was only moving to Michigan for 6 months at the most and I would come back to Indianapolis.

I just had to take the job up north to increase my salary and responsibilities before I could come back to Indianapolis as a “player.”

I believe our relationship was officially dead about two weeks later.

Then, I met Gail who had spent nearly her entire life in Holland, Michigan, and as the weather warmed and the frozen waves melted to reveal the beautiful white sand beaches of Lake Michigan, I fell in love not only with Gail but with this cute little town that cheers its Dutch Heritage.

Gail let me know from the moment I proposed to her that she would follow me anywhere in the world. (She apparently sees something in me that the vast majority of women never did…). Gail’s chance to follow through on that promise is just days away.

This weekend Gail and I are heading up to Traverse City for our annual color tour with the West Michigan section of the Mercedes Benz Club of America. We’ll scoot out of there on Sunday morning so we can make it back to Holland in time to watch the Colts play. Then, when the game is over, I’ll jump back in the car to complete the plan I started twelve and half years ago. To quote Tito, Jermaine, Jackie, Marlon, and Michael….”I’m going back to Indiana.”

On Monday morning, I officially exit the auto industry and jump into the most exciting challenge of my adult life. On Monday morning, I’ll wake up in Indianapolis and drive to my first day with what can likely be the last company I’ll ever work for.

There are lots of things to worry about. I don’t mean the part about finding a new house or debating with the movers just how big a jointer has to be before it becomes “excessive.” No, being me, my worries now shift to what to listen to while driving to that first day at my new office…

As Bernie Casey’s character John Slade said while takin’ it to The Man in I’m Gonna Git You Sucka, “This is my theme music. Every good hero should have some.” So it’s important that I roll into my new place on Monday with just the right riff pulsating through the woofers and tweeters.

Right now I am leaning toward EWF. Even in the 21st Century, nothing backs up a hero like Earth, Wind, and Fire. However, I still cannot decide whether I want to set the tone for my career move with September, Let’s Groove Tonight, Got To Get You Into My Life, or Shining Star…. I have 3 days to decide.


FYI… just in case someone thinks I am kidding about this whole theme music thing…. feel free to verify with Gail what happened when I dropped her off for her class at church last night….

Imagine a silver Mercedes roadster with Earth, Wind, and Fire at 120 dB in a four wheel drift as it turns onto the church driveway at about 70 miles per hour…..

Baa Dee Yaa
Say do you remember
Baa Dee Yaa
Dancing in September...


That’s how I roll. And the scary part is… they want ME to be their latex salesman.

(ARA) – Most people think the first impression of their home is made by the color on the walls or furniture in a room; but in reality, it’s made by what’s under your feet – the flooring. If the carpet is dirty and worn, tiles are chipped, or the wood floor is warping, it’s time for a change.

So what’s holding you back? A lot of people are hesitant to jump into a home improvement project involving flooring because of all the work involved. First you have to remove and dispose of the old material, then invest the time and effort necessary to get the base surface ready for the new material before finally putting it in.

“Do-it-yourselfers are overwhelmed when they learn how much work is involved in redoing a floor. But it doesn’t have to be that way,” says Scott Day of Forbo Flooring. Forbo recently introduced a new product that’s turning a lot of heads in the remodeling industry.

Marmoleum Click is perhaps the easiest flooring surface there is to install. No adhesives or fasteners are necessary. The panels simply lock into place with a tongue and groove system. “If you have an existing resilient floor, no need to remove it. The planks and squares can be installed right on top of the old surface. If you have carpet or tile, you just need to remove and dispose of the old materials and start clicking the Marmoleum tiles together right over the subfloor,” says Day.


Marmoleum Click comes in 18 different colors and is available in two different sizes: panels that are 12 inches wide and 36 inches long, and 12-inch by 12-inch squares.
The panels and squares can be mixed and matched to create a wide variety of patterns and color combinations.

“It’s really cool. You can mix and match colors to create a space that is uniquely your own,” says Day.

In addition to being decorative and easy to install, Marmoleum Click is made from natural materials consisting of flaxseed oil, pine rosin, limestone and jute. It also has anti-static and bactericidal properties, meaning it’s easily kept dirt and dust free, and is resistant to such micro-organisms as Staphylococcus. These qualities make it especially popular in bathrooms and kitchens – and in places young children play.

“Marmoleum Click is the ideal do-it-yourselfer’s surface,” says Scott Day of Forbo. “We’ve received a lot of feedback from customers that it’s the easiest material they’ve ever worked with, and they’ve had a lot of fun with it.”

For design ideas, or to find a retailer near you, log on to www.themarmoleumstore.com.

Courtesy of ARA Content

Visit A1 Wood Flooring for more on wood flooring and laminate flooring.

When I first visited the Mercer Museum last year, more than just handtools caught my eye. I was intrigued by folksy musical instruments, called Scheitholts (also Zither or Zitter). The Germans who settled in Pennsylvania and other parts of Colonial America in the early to mid-1700s brought the zither, or at least the idea of the instrument, with them.

The ones on display in the museum’s current exhibit "Everyday Rhythms" are 19th c. However, a few 18th c. zithers are know to exist, including a 1781 instrument on loan to the museum and one in the Colonial Williamsburg collection, which is represented in a photo enlargement. Zithers (both those played with a pick or quill and those played with a bow), dulcimers, and other early musical instruments are included in this special exhibit which will run through May of next year. Permission to include the photos I took provided courtesy of the Mercer Museum/Bucks County Historical Society, Doylestown, PA.

Zithers, although each one slightly different, are basically a tapering, hollow (but for the solid wood head) trapezoidal-shaped stringed instrument.

3 melody strings were accompanied by multiple, perhaps 6, drone strings and were plucked or strummed with a quill. Songs played on zithers tended to be slow and produced a deeper sound than that of a dulcimer. At the “Everyday Rhythms” exhibit, you can hear melodies played on a reproduction zither.

The strings, most likely made from animal gut, were tightened by iron or wood pins and passed over wire staple frets, of which there were normally 14. The instrument typically rested on a table top with the strings nearest the player as he/she strummed.

Although more refined and ornate versions of the scheitholt were made professionally in Europe, the ones discovered in Pennsylvania are much more modest and practical. Nonetheless, craftsmen decorated their product with simple carvings, cutout shapes, and chamfered edges.

I contacted the museum’s Vice President of Collections and Interpretation who granted me some alone time with two zithers and permitted me to take measurements and photographs. He also offered me a stack of information about the instruments from which much of this information was obtained.

One of the zithers I examined is left-handed, has 19 frets, and has cutouts of a circle, a crescent, and an “S” in the soundboard, which may be interpreted as initials: O. D. S. There are remnants of a reddish stain and the strings are secured with carved wood pegs at the tail end of the instrument.

The other zither is a little more elegant, with a shaped tuning head on one end and a round over on the other. The soundhole is made with semi-circle shaped holes and with punched indentations for decoration, presumably. Instead of wood pegs, strings are held in place with brads.

The soundboard on zither #1 is 1/4” thick while zitter #2’s soundboard is 1/16” - 3/32” thick. Both zithers’ sideboards are made from 1/4” thick lumber, and the tuning heads are solid wood.

Zithers were enthusiastically played throughout the 19th century among German speaking communities, and yet original instruments are difficult to find.

I was grateful to get an up close look at these rare scheitholts and look forward to making my own someday. Now, if only I were musically-inclined....

Some folks aren’t aware that they can get a free woodworking tip in their email inbox every week. It’s something we’ve been doing for years and has proven to be very popular. A lot of woodworkers have been printing their favorite tips and storing them in a 3-ring binder.

If you’ve wondered what tips you’ve missed, we’ve got some handy links for you look up any of our past eTips. For our older eTips (prior to August 2003), click here.  For more recent tips, you can click here. Between these two web pages, you’ll find a complete list of all our past eTips.

Remember to sign up here for free eTips if you don’t already receive them.

In this episode of the Woodworkers Resource Video Podcast we're continuing the topic of building bookcases. This time we look at cutting and installing crown molding on our bookcase.

We will show you how to use simple off the shelf crown molding you can find at most "Big Box" hardware stores to really dress up your bookcase.

Ever had problems getting tight joints when install crown molding? I'll show you a simple way to get perfect looking miters every time!

If you would like to be notified when new espisodes come out, sign up for our newsletter at:

www.WoodworkersResource.com

And as always, if you have any questions or comments, you can email us at:

contactus@woodworkersresource.com

Thanks for Watching!

Chris Schwarz reviews Philly's Miter Plane on the Popular Woodworking blog. Nice plane, Philly!

I first met Stuart Page at The festival of the Tree last August. He was there for the full 3 days and spent a good portion of his time bouncing between Rob Cosman, John Lloyd and myself. He was very enthusiastic, full of great questions and insight - we all loved having him around our respective booths.

Many months ago, Stuart contacted me to let me know he was planning a 3 month travelling tour of North American furniture makers and toolmakers and was wondering if he could stop in for a visit. It was great to hear from him again and I was quite excited to have him over.

On June 23rd - Stuart arrived in Los Angeles. He has been keeping a blog - curiously named, One hairy arm goes west. One of his first stops was to see Sam Maloof - and I am very envious of that visit. Sam is on that very short list of people I would dearly like to meet (along with Harrison Ford and Maynard James Keenan). And after Stuarts description of their time together - I am all the more green.

He arrived on Tuesday afternoon (July 23rd) around 3. I was on the main floor working away on an A1ss panel plane (more on that in another entry). He had just driven from Calgary... and to use his words - was a little “road worn”.

Stuart was very direct about his intentions the minute he walked in to the shop. He did not want to get in the way of my regular schedule and workday... but was hoping for a “fly on the wall” approach. I was pleased (and a little relieved) to hear this - and it turned out to be a wonderful experience.

At one point, Stuart offered to help in the shop with things that are challenging for someone to do on their own. Hmmmm... a shop helper....?

I need to back up a bit. I have two amazing sets of planes that I am itching to start into... but I am waiting for the last few % of moisture to come out of the Ebony. Quite frankly - I am really tired of waiting... so I started thinking about building a kiln. In the June 2006 of Woodwork magazine (No. 99), Ejler Hjorn-Westh wrote a wonderful article about building a kiln for under $500. This seemed like the perfect project for Stuart and I. I handed him the article and he just smiled... perfect.

Hmmm... where to put it?

We walked around the shop to find an empty spot for a 20"x 20"x 7' item. The best location was the first one we discussed - above one of the 48"to 60" shorts storage areas.

I had some scrap plywood from previous adventures - but we needed two 4'x8' sheets of plywood. I figured I would treat Stuart to the full North American experience and introduce him to the often understaffed “Orange Box”. I shouldn't complain... they did cut the two sheets to size for us.

Anyway - a few hours later - we had a kiln. Here are a few photos.



It tucked in perfectly above the shorts storage - and I didn't even have to move the phone or the furnace switch!



Here it is with the door open.



The baffle is a 1/4" piece of peg board.



The opening on the right is the dry air return to keep the air circulating.

I will be drying a test piece of Ebony to see how it goes. I will certainly post the results - regardless of how it turns out.

Thanks again Stuart for all your help with the kiln and keeping me company between piening, lapping and shaping.

Oh, and the one hairy arm... it really is ONE hairy arm... the other is pretty clean shaven.

It's April and Hendrik is back to answer more of your questions.  This month we're talking about dealing with troubled stock.  Since nothing is worse than dealing with cupped, bowed, twisted or crooked boards we answer your questions about how to tame these problems or maybe even avoid them.

Today is part 2 of our discussion, so hopefully if we haven't answered your question yet we will today.

Remember for comments, questions and schwag entries drop me a line at mattsbasementworkshop@gmail.com.

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Hey everyone it's time for another installment of Lumber Species of the Month...and this time we're sharing a few facts on a favorite of a lot of woodworkers - Walnut.

Once abundant throughout the United States and growing to 150 FT tall and 6 FT in diameter Walnut was heavily harvested for it's beautiful grains and colors.  It's the only natural "brown" colored wood found growing in the states.

While it's still readily available the trees today average about 80-100 FT tall and usually only about 3 FT in diameter...a stark contrast from before.  But still it's a beautiful wood to work with...

Don't forget!! Hendrik is back in September so get your questions in for our open Q&A session.  If you're planning on being at the IWF in Atlanta, anyone wanting to have a chat with Hendrik can leave a message for him in the Press Lounge.  Or, better yet, he'll be attending The Wood Whisperer's after-show get together Friday evening, August 22nd.

If you'd like to enter for free schwag or just have a comment, question or suggestion drop me a line at mattsbasementworkshop@gmail.com or  head over to my website at 231 354-2338.

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The latest Popular Woodworking magazine has a good shooting board article with plans. An expanded version of the article is available as a PDF file. It is pretty big at almost 2mb so it might take awhile to load over a slower intenet connection.

Back in March, the folks from ProTool (the folks that make the Drill Doctor) came into our offices to show us their new Work Sharp system for sharpening woodworking tools. You’ll be hearing it advertised on the Paul Harvey show.  They left their WS3000 for us to play with in our shop.

One day not too long ago, I went to use the Work Sharp to hone some chisels for our new public television show, The Woodsmith Shop (more on that later).  Well, I couldn’t find all the parts to the Work Sharp, so I resorted to honing the chisels by hand using wet/dry sandpaper.  A few weeks later, I asked Steve Johnson, our shop craftsman, about the Work Sharp’s missing parts. He said that they weren’t missing and walked me around the corner of his work area and showed me the box that contained the “missing” parts. Turns out he had the Work Sharp squirreled away to keep it from disappearing.  He says he uses it all the time for touching up his chisels. For example, when he’s chopping mortises or cleaning up mortises, all he needs to do is walk over to the Work Sharp, and in just a few seconds he’s got a sharp edge.  He thinks it’s a great addition to his shop for keeping an edge on his tools.

Work Sharp has come out with a homeowner/DIY version of their system called the WS2000.  It uses the same motor as the WS3000 but doesn’t have the built-in speed reduction and doesn’t come with the finer grits of abrasive that you’d use for honing.  It’s meant for grinding a quick edge or, as one homeowner did, ground a sharp edge on his garden shovel.

You can read more about the Work Sharp systems here.

Hi Folks
Yes, the weekend saw two more visitors to the 'shop. First, Cupcake was brought in to let her explore the workshop and start getting used to being in there. She loved it! Shavings were a bit hit with her (and I just happen to have plenty to spare) and the new smells and nooks and crannies to explore were just wonderful. Needless to say, no power tools were used while she was around but she was unconcerned when I did a bit of cleaning with the shop-vac. A good start.

So when she heard the cat was in the workshop out comes my daughter, Sophie. She's six years old now, and doesn't spend as much time in the shop with me as she used to. Too busy, you see.......;)
But with the kitten roaming the 'shop Sophie was quite happy to get stuck in to a bit of sanding - as long as she could giggle at the kittens antics.

The Westonbirt "Festival of the Tree" event is only two weeks away (less, actually!) so I am rather busy preparing myself for that, as well as keeping on top of plane orders. We have a big batch of spokeshaves almost complete in a wide choice of timbers as well as some special little coffin smoothers in Rosewood. More pics soon.......

Cheers
Philly

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Status Report:

Marc has FINALLY finished the gadget station and plans on delivering it next week.  While in the area, he is also going to have a visit with the one and only David Marks.  Matt decided to rearrange his shop tools recently and is apparently going to start writing a new book entitled, "The Feng Shui Workshop".

Around the Web:

Check out Keith Cruickshank's awesome videos at Woodtreks.com Popular Woodworking Magazine and Woodworking Magazine have had a little facelift recently.  FineWoodworking.com also seems to have had a few tweaks.

News:

Don't miss your chance to enter The Wood Talk Online Giveaway.  Lee Valley provided us with two of their new Skew Rabbet Planes and next week we will select two lucky winners.  Enter Here!

Hot Deals:

DeWalt 18V Cordless Drill/Driver Kit Sweepstakes ends October 13th thanks to Tool Snob.  Makita Orbital Finishing Sander only $39.99, save 27% at Highland woodworking while supplies last.  Aluminum Assembly Clamps from Lee Valley set of 4 (2) 18" & (2) 24" $85 regularly $108 fast-acting sliding jaw with a locking handle mechanism (similar to locking pliers).  Makita 14.4 V cordless impact driver at woodcraft $189.99.  Select Norton Combination Waterstones Save 20%! Now Through October 31, 2008!

Voicemail:

David has a good question concerning bandsaw blade width.

Tom's Tip:

Tired of using guesswork every time you set up your dado stack? Tom has some advice.

You’ve probably heard of Google’s SketchUp. It’s a 3-D design and drawing program that’s easy to learn but very powerful. (I wrote about SketchUp in Woodsmith 167.) And there’s a free version you can download here (the Pro version costs $495 — still a bargain compared to other design software).  I use it to draw up rough sketches of projects I’m designing or to work out some tricky dimensions.

I grew up in the AutoCAD world (since version 2.52 for those of you keeping notes). So I’m familiar with high-priced CAD packages. And I’ve gotta’ say that SketchUp can’t be beat for the price. AutoCAD started back in the 1980’s as a two-dimensional drawing program and as such, has never quite been able to shake off that legacy. It’s become a powerful drawing program, but it doesn’t hold a candle to some of the newer 3-D packages. While SketchUp isn’t meant for creating detailed CAD drawings, it’s ideal for conceptual 3-D design.

A lot of woodworkers have discovered the ease of use in designing projects using SketchUp. And the challenge has been made over on WoodNet to show off your SketchUp models. Some folks have even placed their models up on Google’s 3D Warehouse so you can download them into SketchUp and modify them.

SketchUp’s online help and resources are second to none and worth checking out if you want to get the most out of SketchUp. And there’s an independent online community you can join at www.Sketchucation.com.

So don’t be shy! Head on over to WoodNet and post your best SketchUp models.

Dear Highland Woodworking:

I have not been able to find a good stainable wood filler (or putty). Minwax indicates that their putty is, but it really isn't. It does fill the nail holes, but I can never seem to get the colors right even when I buy the wax pencils to try to assist. Normally I use Minwax Provincial Stain on my baseboard, pine doors and trim. Could you please help? I'll bet I'm not the only one with this kind of issue.

Thanks, Peter B.

Dear Peter,

Many of us struggle with the imperfect science of matching wood with putty. Despite the multitude of manufacturers and the wide array of colors they offer, finding an off-the-shelf product to match your wood and accept your stain exactly is a very tall order. It is really a process of getting the putty as close as possible to the color of the surrounding wood, and then further enhancing the repair through the coloring and finishing process.

As you know, putty and wood are different in many ways. Wood has side grain and end grain. Putty does not. Wood is wood, while putty is a mixture of many different organic and inorganic products. Furthermore, the density of wood is dissimilar from species to species as well as to wood putty. This is complicated by the fact that no two manufacturers' products are the same. As a result, finding an off-the-shelf putty to match your exact needs is very tricky.

So, what should we do? It is important to get as close a match as possible with either the wood, or if staining, with the final color of the piece. Then you can do your best to "make the repair disappear" through the staining or dyeing process and the finish coat (tinted or not). You will very likely have better luck disguising the repair by applying colored topcoats of finish, or by simply painting the area with artist colors. (Be sure to paint in grain lines to match the surrounding area.)

Several years ago, a trade magazine explained how large furniture manufacturers color match their products. As no two pieces of cherry or walnut are exactly the same color (and it is important to make them be the same color as the rest of the dining room suite), the process of coloring the furniture is actually a process of coloring the finish -- and multiple layers of finish at that. This allows a uniform color regardless of the underlying wood and any defects that are present. It is a little like repainting an old car, but you get the idea.

I hope this helps answer your question. We all struggle with this problem from time to time. For further reading, check out Bob Flexner's book entitled Understanding Wood Finishing. It is a super book that covers most aspects of finishing wood.

Sam Rieder
Highland Woodworking

One of the "tools" I want to get is a traditional workman's apron. There is a picture over at www.toolemera.com of a traditional woodworker wearing one. You can see it at this page if you scroll down to the picture called "THE WISE CARPENTER AT HIS BENCH."

I really like this apron although it seems that a design that had criss-crossing shoulder straps would be a bit easier on the neck and not as prone to getting the neck strap as sweaty.

If anyone has any suggestions, pictures, patterns or ideas, I would really appreciate them. Basically, I am looking for something somewhat traditional and lightweight. A pocket for a pencil or small square would be fine, but I don't plan on carrying my toolbox in it.  read more »

It’s no secret around the office and among my family members that I have an affinity for old tools.  It could be old hand tools or “old iron” power tools.  I have a couple of antique scroll saws and a very old three-wheel Craftsman band saw in my shop.  I guess I inherited this habit from my dad.  He’s always bringing home a “bargain” from the latest garage sale or auction.

Last week, he called me and told me he just “acquired” an old Craftsman planer (model 103.1801 made by King-Seeley).  He wanted me to research it and find out what I could about it.  Naturally, the first place I look for old manuals and history of old tools is www.owwm.com.  They’ve become the online library for photos, tool manuals, and company history for old tools.  You can submit photos of your old tools and scanned manuals and parts lists for the rest of the world to share.

As I was trying to research the history of dad’s planer and find a manual for it, I discovered that the OWWM web site was down “due to technical difficulty.”  I was heartbroken and afraid that something terrible had happened.  I thought perhaps all the data that had been accumulated over the years would be lost.  So I emailed the webmaster to get the scoop.  Here was his reply as of 10:00pm CST on Thursday, the 13th of March 2008:

We had some issue with our former host and changes that they made to their server that “broke” the code that runs our site. To resolve this problem, we decided that the best course of action was to invest in a new server, which we will own and control. This has turned into a longer process than we first anticipated. We first had to raise around $2,500 for the hardware and software to run our site. We fortunately were able to get the majority of this donated through our many members. Next, we had to order a server, which took several weeks to get built and delivered. The new server arrived at our new host late last Friday and they have been working hard this week getting it set up to run. We are very close to launching the new site - maybe by the end of this week but in reality, probably the first of next week. No data was lost, it is just taking us longer than we like to get everything up and running on the new server.

Keith Rucker
Tifton, GA 

Hopefully, they’ll be back up and running soon. 

Do you want to know how OWWM got started?  Well, you’ll have to wait until the web site is back up and running, but when it is, visit this page for a complete history of what got Keith started down this road.  It’s an interesting read.

Oh…by the way, Keith puts a lot of time and effort (and dollars) into this web site.  If you use and enjoy the content of www.owwm.com, why don’t you donate a few bucks to help him out? You’ll find donation links on the web site.