If you find there is any copyright abuse, contact us as soon as possible, thanks.
Episode 61 - Bombe Series - Start of Upper Pediment
00/00/0000, 00:00 | T Chisel - The Rough Cut Show!Summer skies and wooden rings
00/00/0000, 00:00 | Wooden Rings from Touch Wood RingsAnd, some summer rings ...

Pushing for Tuesday
00/00/0000, 00:00 | Woodworking DungeonI'm pretty sure I have all of the components I need, it's just the detail work in putting it all together. And yes, this is a big tease, as I'm not going to show you anything yet...
All Tool Orders Suspended
08/22/2008, 17:48 | Arts & Mysteries with Adam Cherubini - Blog I really appreciate the overwhelming response I received from my tool offerings. Thank you all so much for your interest and support. It really means a lot to me personally.
As I said when I started accepting orders for tools 2 months ago, I have no intention of making tools full time. I am first and foremost a period cabinetmaker. I feel doing the work has informed my sensibilities regarding tools and I have no doubt that will continue.
I'm not sure what the future holds for me. I'm hoping to produce tools on speculation and sell them as they become available. This will allow me greater design freedom and perhaps the ability to use whatever materials I have on hand at the moment. I'm not exactly sure how this will work. But I'll post information here and at Woodworking in America conference. Being able to meet my commitments in the uncompromising way to which I'm accustomed means I have turn off the tool making at present.
Figuring Out Finger Joints
00/00/0000, 00:00 | Woodworking blog Woodworking Magazine
For me, finger joints have always been the nerdy, square cousin to the dovetail.
Finger joints are immensely strong when glued properly. But they are usually used
by beginning woodworkers in places where a dovetail would be more appropriate, such
as on a piece of 18th-century casework.
Add to that the fact that finger joints are tricky or dangerous to make on wide boards
(without a commercial jig) plus the fact that gluing them with yellow glue is stressful,
and it's a wonder that anyone uses them at all.
And so we decided to tackle finger joints for the Summer 2008 issue of Woodworking
Magazine, which will be shipping to subscribers next month. It took us a few months
to really pin them down (pun intended), but I think we nailed it (and no, cut nails
are not involved).
Here's a small taste of some of the problems of the joint we solved after three months
of testing in our shop:
Appearance: Finger joints are a product of the machine age. Using them in styles
before circa 1900 is just wrong to the eye. So consider the joint for more contemporary
pieces only.
Cutting them Accurately: Right now there are basically two different ways to
cut the joint: A shop-made jig for the table saw for narrow boards, and using a router
jig that costs several hundred dollars for wide boards. We set out to develop a simple
and safe shop-made jig that could handle both wide and narrow boards. Senior Editor
Robert W. Lang had a stroke of genius on this and solved the problem forever (in my
opinion).
Gluing Them Easily: You can assemble small boxes with finger joints fairly
easily when using yellow glue. But at a certain point, you hit the wall because the
glue sets up before you can close all the joints. So the solution would seem to be
a slow-setting glue. Well, that's one way to go about it. But we found an easier and
faster way that is super-strong (see the photo of Managing Editor Megan Fitzpatrick's
boot on a sample joint). In the end, it took an anvil to bust up our sample joints.
Also in the Summer 2008 Issue
The finger joint is just one of the major themes running through the issue. Here are
some of the other stories you can look for in the coming issue:
Building a Better Chest: Most woodworkers build chests using the most convoluted
and fussy assembly imaginable. After reviewing hundreds of historical models, we settle
on a method for building a chest that looks more complex at first glance, but actually
saves an immense amount of shop time, requires less fussing around and allows more
design flexibility.
Crackle Finishing: Many woodworkers who try a crackle finish have inconsistent
results. Sometimes it works; sometimes it doesn't. And predicting how much it's going
to crackle is almost impossible. Senior Editor Glen D. Huey cracks the code of crackle
finish and finds out that the easiest and most predictable way to do it is also the
simplest.
Trimming End Grain: When you have to cut back some end grain so it's flush
with some face grain, it's always an opportunity to mess up the project. We show you
two (actually three) methods for doing it right every time with a block plane, sander
and pencil eraser.
And one more thing about the Summer 2008 issue: This issue is going to be mailed out
to subscribers in a protective plastic bag, which will reduce the chances that the
postal service will mangle it. If the plastic bag works for you, let us know so we
can encourage our manufacturing division to continue using it.
And if you're not a subscriber, you can easily remedy that here.
Looking for a new owner
09/04/2008, 21:40 | UnpluggedShop.comThese last nine months or so of running unpluggedshop.com have been interesting and profitable to me personally. I have enjoyed doing this site, and believe it fills a needed niche. I am not thinking about closing it, but I don't have the time or incentive to take it to the next level.
You see, I am having a lot of trouble keeping up with my "real" job, and would also like to spend more time woodworking and less time writing about it.
My point is that I would be willing to work through a transition, and help someone (whether a person, business, or organization) take unpluggedshop.com who could express a vision for the site that I like. I might even stick around after the transition if the new owner so desired.
Basically, I am looking for someone who is technically literate or willing to pay for quality development services (sorry, I am not for hire), and who will use the site to promote hand tool woodworking. read more »
Oak Wood Buyer's Easy Guide
04/28/2008, 04:43 | Wood ShuttersIn addition to looking beautiful and lush, wood floors are also unquestionably good for the environment. The flooring is, in a sense, insulation between your home and the elements. This insulation is said to be sixteen times as powerful as steel and four hundred fifteen times more productive than steel. Most solid wood flooring is made in America and therefore must adhere to the nation?s strict environmental codes and ordinances.
What grain of wood you select will determine the overall character of your floor. Nothing exudes dependability like oak solid wood flooring. Within each plank you see the life of the tree: the knots and burrs. Another benefit to choosing solid oak flooring is that it does not scratch easily. With proper care, the warmth of the color will last a very long time.
Engineered oak wood flooring is a less expensive option. You get the same look and character, but the installation is much easier. In most cases nails or screws are not necessary, all that you need is a foam underlay. Since most of the engineered oak wood flooring is made in China some may argue that the quality is lower.
While some of the heartiness of solid oak wood flooring may be lost, and the value of your home or business may not increase as much, the appearance is not sacrificed and most people rarely can detect the difference. The greatest difference is in the cost and the installation. A professional with elaborate and specialized tools must install solid oak wood flooring.
A benefit for choosing engineered oak wood flooring is that you have the option of putting in the floor yourself. With the do it yourself craze at full tilt many new and established homeowners are getting excited about improvement projects that can be accomplished within a weekend.
Most major chain home improvement centers not only offer a large variety of engineered oak wood flooring, but they are now offering workshops that will guide you through the step by step process. An added bonus to doing it yourself is that now under floor heating is becoming mainstream. In the same workshop where you learn about wood flooring you can learn about the under floor heat process and how energy efficient a row of heating coils can be.
Choosing to upgrade your home or business flooring is simple, and in most cases, affordable. Going with solid oak flooring or engineered oak wood flooring is up to your taste and your wallet.
Natalie Aranda writes on home improvement. Hardwood floors are part of an established home?s heritage. The look of the wood is what draws a guest in and what adds warmth even on the coldest of days. When you decide to install solid wood flooring in your home or office you are not only going for that old familiar aesthetic, but you are also acknowledging that wood flooring is extremely sensible. What grain of wood you select will determine the overall character of your floor. Nothing exudes dependability like oak solid wood flooring.
Dremel’s New Multi-Vise
00/00/0000, 00:00 | WoodworkingONLINE.com 
When the Dremel folks stopped by our office a couple of weeks ago, one of the products they were showing us is the new MultiVise. I’ll admit that my first thought was, “This can’t be a serious tool — it looks like it’s made out of plastic.” But I was soon to be impressed. The way this thing can twist and contort to clamp almost anything is amazing.
It clamps to your workbench or table. A ball-and-socket joint can rotate the clamp 360° and tilt up to 50°. I was skeptical
that this ball-and-socket couldn’t be locked too securely. But once you tighten the blue ring, it’s there to stay. The clamp itself as a 7½” capacity. And it has removable “soft jaws” for clamping delicate or irregularly-shaped objects. I was impressed. Really.
Now, as a woodworker, the first question I had was if the clamp was available in longer lengths. The Dremel reps said that they honestly hadn’t considered it but really appreciated the comments. I suggested that they offer “accessory kits” with longer clamps for us woodworkers. The reason is that the clamps are great by
themselves. They’ve got large “feet” that sit on your benchtop and won’t topple over as you clamp down. The only problem I had with the clamp was that the screw was rather stiff and took some effort to turn. But I suppose it would loosen up over time without compromising it’s clamping ability.
Oh…I almost forgot. It comes with an adapter and wrench so you can fasten your Dremel rotary tool to the vise. It’s great for grinding or sanding operations.
I’ve got to get one of these for my own shop.
Tools and Rust — Bad Bedfellows
00/00/0000, 00:00 | WoodworkingONLINE.com
In ShopNotes 95, I wrote an article about some quick (and some unusual ways) you can keep rust at bay on your hand and power tools. For those of us with basement or garage shops, rust is an issue we have to deal with. I remember moving into our second home of our marriage and almost losing every tool I owned because I kept them in the basement. Actually, the basement was more like a root cellar and whenever it rained, water poured through the walls. It wasn’t until years later that I was able to jack up the house, replace the foundation, and finally have a dry basement for a shop.
Some months ago, I ran across this web page by Bob Neidorff. He does a great job of explaining what rust is, how to remove it, and how to prevent it. He also lists several resources for products and suppliers, including web links. Check it out.
The Fretboard Journal is now available at Highland Woodworking
00/00/0000, 00:00 | Highland Woodworking Blog
July 18, 2008 Atlanta, GA. Highland Woodworking is pleased to announce the addition of The Fretboard Journal to their collection of woodworking books, magazines and DVDs. An important journal for luthiers and instrument enthusiasts, the quarterly publication is archival quality and chronicles the most innovative fretted instruments and instrument makers of the last 150 years. Fretboard's writers, historians and photographers from around the world provide well researched and insightful stories highlighting the best players and the most interesting tales in music.
The Summer 2008 Fretboard Journal features David Grisman's Chris Thile interview, details about veteran luthier Rick Turner's Compass Rose acoustic guitar and examines the tradition behind Kamaka ukuleles. The Fretboard Journal published by Jason Verlinde is a magazine for musical instrument makers, players, collectors.
Highland Woodworking, Atlanta, GA USA is a purveyor of fine woodworking tools and supplies with a 30 year reputation for quality tools and service. It is the exclusive source of the Wood Slicer Resawing Bandsaw blade, voted by Fine Woodworking Magazine as the best resaw blade available. Highland Woodworking is a trusted source of woodworking education and information. A schedule of woodworking classes and detailed product information is available at highlandwoodworking.com. Highland Woodworking 1045 N. Highland Ave., Atlanta, GA 800-241-6748.
Shooting Board Article
00/00/0000, 00:00 | Traditional Tools & NewsThe Trend RoutaSketch
00/00/0000, 00:00 | Wood Destruction by a Woodscrub
It was when they had the coupons 50% off any clearance item. They had two of these RoutaSketches, original price $99, clearance price $50, with my coupon $25.
I figured for $25 it was worth checking out. I was intrigued by the concept, that's for sure.
Inboxed, it's clear the thing was made as cheaply as possible. All plastic except for a pair of brass thread inserts in the base and the steel bars to hold up the template and the tracing stylus.

I assembled according to the directions. The steel bars were a REALLY tight fit in the plastic bases. Tight enough I feared I'd break the plastic before even getting to try it. But they survived. The plastic may be tougher than I initially thought!
After assembling the stands I looked at the instructions to determine which holes in the base to use for my Porter Cable router. But, alas, there were no PCs listed in the table!
No Porter Cable support? How can this be?!?!?!
I suspect that maybe PC isn't as big in Europe as it is here in the US. Trend seems to be based in the UK. That might explain it.

I tried to line up the holes in my PC with the myriad holes in the base of the Routa Sketch. No luck. None at all. Bleh.
I decided to grab the Harbor Freight plunge router that's been pretty much setting on the shelf. Sure enough, the template holder screws were a match. In fact, Trend was nice enough to include long screws that fit! A good thing since the ones that came with the router were far too short to mount the RoutaSketch base with.
After some dry runs making sure I had the motions down and was comfortable controlling the
router with this big thing attached (really it isn't that bad, things moved quite smoothly) I picked one of the designs that came with the RoutaSketch.The RoutaSketch comes with a good assortment of line art to use. Oddly enough (or maybe not), at least a few of those are public domain line art. My wife saw one of them at the local library for the kiddies to color!
With the paper on the tracing platform, my plunge router dialed in to make a very light cut, and my daughter and I wearing goggles, I started cutting.
The reason I wanted to use the PC router is I hate plunge routers. I understand the need for
them, which is why I own one, but I prefer a straightforward simple router without the plunge feature. During this trial, the biggest reason I hate plunge routers showed itself. If I concentrate on the work, I'll relax my arms, causing the router to "de-plunge". The router keeps making the right motions, but the bit is no longer cutting. Grr...Another thing that was irritating me was the stylus would grab the paper causing the paper to move. Well this screws up the pattern being cut into the wood. It turns out that the package came with a sheet of acetate to lay over the paper so the stylus moves more smoothly.

Whoops!
Even so, I thought it came out pretty decent!
I just carved into the mini-bench top. Don't worry, I'm not damaging my work surface. I had enough damage to it already that I need to resurface it with my jack plane.
I didn't carve any of the details. This was more a test of the tool. It's not a project. The outline looks good, but you can see where the aper shifted. it shoved the sea horse's forehead into it's ears. The acetate should prevent that from happening next time.

Yes. There is going to be a next time...
Last Call For Survey Participants
08/09/2008, 17:35 | LumberJocks.com :: woodworking showcaseI would like to thank everyone who has already participated in our survey. Providing us with demographic and woodworking information helps us to tailor our sponsors to our needs. As you know, I strive to keep LumberJocks and our sponsors happy with quality advertisements suited to LumberJocks.com… without taking away from your enjoyment of this site.
This is the last day to participate in our survey for a chance to win some great prizes from LumberJocks and DuraGrit!
- DuraGrit 5 piece Cutting Wheel set – $71.90 Value!
- DuraGrit 6 piece Carving Burr set – $71.90 Value!
- LumberJocks T-shirt
The winners will be drawn and announced, tomorrow August 10th.
Thanks!
New Website Design
00/00/0000, 00:00 | David's blogThis is very exciting as it coincides ...
History, Archeology, and Interpreting
07/16/2008, 15:44 | Arts & Mysteries with Adam Cherubini - Blog I've been offering my sense of the changing world of reproduction furniture making for a few years now. I won't repeat it here accept to say yesterday's reproductions probably won't be viewed as accurate by scholars (and thus museum visitors, and thus furniture customers) in the future. The reason is that our understanding of period furniture is continuing to grow and change.
Just some quick definitions before I continue. (Please correct me if I get this wrong.) History is the study of the past through documentary evidence. Anthropology is the study of the past through oral tradition and contemporary human behavior. Archeology is the study of the past through found artifacts (like furniture? Does that make us archeologists in a way? I think so).
So if our understanding of furniture is changing, is archeology changing? You bet. Less than a hundred years ago, a pre-eminent archeologist drove his motorcade into the desert with his native porters, interpreters, and diggers. Their goal? Find the treasure and claim it for the British Museum. Howard Carter, the archeologist who found King Tut's tomb, the archeologist on whom Indiana Jones was patterned, didn't set up string lines and wasn't interested in midden pile analysis. Archeology has come a long long way.
For the most part, archeologists don't generally intersect our sphere. Unless you read Archeology magazine, or National Geographic, you may not know the name of a single archeologist. But one name you should know is Dr. James Deetz. Deetz' excellent little book, "In Small things Forgotten: The Archeology of Early American Life" provides us with a deeper understanding of the people who made the things we reproduce. It offers explanations of iconographic motifs we may encounter in our work. I think it's a must read.
In addition to being a fine archeologist, Deetz was also the Assistant Director of Plimoth Planation 1967-1978 where he:
"transformed Plimoth Plantation from a mannequin-furnished commemoration of the Mayflower passengers to a vibrant living history museum replete with accurately-costumed character interpreters engaged in the nitty-gritty of daily life."
(from Marley Brown, linked above)
Personally, I don't care for first person interpreting. Exposition, communicating the basic who, what, when, where, and how, can be particularly challenging for both interpreter and visitor alike. Viewed in this light, it seems a step backward, making the topic more difficult to understand instead of less so. But for Deetz, who was at least in part if not wholly responsible for the first person interpretation at Plimoth, the goal was to communicate more than the basic text book facts. He wanted us to get to know the people of Plimoth intimately.
Like many other pursuits, the bar of basic competency is rising for interpreters, and reproduction furniture makers alike. This is the way of things. I think it's okay to let the bar drift over our heads and continue on as we have. Many of us have started so far under the bar that it's difficult to see from where we now stand. What I don't think is okay is denying the existence of the bar. I think a quick read through Deetz' book, preferably followed by a visit to Plimoth will be all the proof you need.
Adam
P.S. I guess I should add that I see the exposition as similar to the dimensions of a piece of furniture. You can get those right and still miss the mark (as many have). My story about Deetz intends to relate the intimate understanding of past cultures to the intimate understanding of objects like furniture. This is in part what "Material Culture" is all about. Grad students taking part in Winterthur's Masters program in American Material Culture are learning about furniture and expressing values that were unknown to the Carter/Nutting collectors.
Quote of the Year Wins You a Miter Plane
00/00/0000, 00:00 | Woodworking blog Woodworking Magazine
Now that we’re publishing Woodworking Magazine four times a year (you can always
subscribe via this link),
we have an even greater demand for quotations related to woodworking, craft or (on
occasion) even artistic expression.
We ran a contest last year to solicit quotations (with great success), and I’d like
to run it again to deepen our well of material in reserve. If your quote is picked
as the best of all the entries by our editorial staff, we’ll send you a miter plane
from Philly Planes. (You can read a review
of the plane here,
but trust me, it’s an awesome piece of kit).
All the runners-up in this contest (meaning that we publish your quote in the magazine)
will receive the hardbound edition of Issues 8 through 12, which will be released
at the end of 2008.
Here are the rules:
1. Contest ends on midnight on Friday, May 16, 2008.
2. One entry and one quotation per person.
3. Your entry must be submitted via e-mail to chris.schwarz@fwpubs.com,
along with your full name, street address, phone number and valid e-mail.
4. The quotation can be from any source (even yourself). However, it needs to be attributed
– where you found it and who said it. Here’s an example: "It's not just about making
beautiful furniture, but how do you get rid of it?" — Tage Frid, quoted in an article
by Jonathan Binzen in Fine Woodworking.
Here are some tips: Short quotes are better than long quotes. Original or unusual
quotes are better than common ones (“Measure twice, cut once.”). Quotes that are funny,
make you think or challenge conventional wisdom are always appreciated.
Good luck, and thanks in advance for entering.
— Christopher Schwarz
The Cabinet Shop
11/12/2006, 14:55 | The Wood ShopBeautiful Mesquite Cabinets require the hand of a craftsman and Mesquite HardWood from ADM.
Photo Courtesy of Warsaw Woodworks
Fine Mesquite Cabinets installed By Craftsmen Like Joe Mozdziock of Warsaw Woodworks of Chino Valley Arizona really make an impression. This Kitchen Center Island was installed by Joe in the Prescott area. The Kitchen can become a place of warmth and beauty , and premium lumber from Arizona Desert Mesquite is the place to start. Here's a shot of some cabinets in the kitchen.

Contact :
Warsaw Woodworks
Joe Mozdziock
P.O Box # 2625
Chino Valley AZ 86323
(928) 636-0197
joemoz@netzero.net
Catskill Craftsmen Wood Pastry Board with Baking Graphics
12/31/2007, 09:12 | Furniture Craft
- Roll out pie crusts to exact dimensions
- Reverses to plain side for other projects
- Measures 16 by 22 by 3/4 inches and weighs just over 6-1/2 pounds
- Wash with warm, soapy water; occasionally restore with mineral oil
- Includes 1-year warranty
- BUY NOW
??????/ buying handtools
04/29/2008, 15:04 | Masashi's woodworking diary
???????????????????????????
????????????????????????????????????????????????????????
Mr.Hiraide visits our college at this time of the year.
He comes from Sanjo, Niigata, a production centre of knives and blades. He is a famous tool shop owner who travels around Japan with his van full of hand tools.

????????????????????????????????????????????????????????????????????????????????????????
The freshers buy hundreds of dollars of hand tools at this time. A couple of hand planes, chisels, sharpening stones, scales...these are the tools they must have at the beginning. They build their own collection of tools from here.
??????????????????
???????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????
Mr. Hiraide doesn't stop talking while selling his tools.
He talked about a short stop in Osaka to see cherry blossoms, a visit to a carpenter in Shiga whom he saw on TV just the day before. He loves chatting, traveling as well as his business.
The Wood Stretcher
07/30/2008, 15:43 | Arts & Mysteries with Adam Cherubini - Blog As you will soon learn in your favorite magazine, I am building a chippendale chair. So naturally I'm looking at as many chairs as possible. I've had the opportunity to examine reproductions old and new, as well as many fine originals. Speaking of which, there's a nice display of chairs in Winterthur's little museum space (not the period rooms). It's in the gallery downstairs from the Dominy Shop. Don't miss the story about regionalism there. I like to argue that there's no such thing as regionalism, or at least that assigning styles to regions is imprecise. You can see evidence for and against in this exhibit.
Anyway, what I'm struck by is how similar chairs are to people. Modern chairs seem to be bigger than period chairs. Sometimes you do see an overall scale change. My friend Paul and I were recently examining the Windsors in the PMoA. They are indeed diminutive compared to many (but not all) modern repros. But that's not what I'm talking about.
It's true that Philadelphia chairs tended to be higher than English chairs. Thomas Chippendale set the height of chair backs at 39" as I recall. Philadelphia chairs are typically over 40" (it's a regional thing). But that's not what I'm talking about either!
What I'm talking about is the wood stretcher. You know, that special machine that makes wood that was cut too short or planed too thin larger. We first learned about it in Junior High wood shop class, remember? We cut a piece of pine too short for the candle stand we were making and we asked our woodshop teacher for help. He said "Oh, you'll have to put that in the wood stretcher (meaning scrap bin) and get a new piece".
Maybe the chiding scarred us for life. Maybe the act of wasting material we love just goes against our natures. Maybe woodworkers are naturally risk averse. Whatever the reason, it seems modern woodworkers always want to leave a little extra just in case. The result is often blocky looking furniture, that would work better in the Flintstone's house.
Look how delicate the ankle is on this chair. Magnificent, isn't it?
I've been practicing carving these legs for months and none of mine look like this. It seems to me I have to work right to my line and be very aggressive with my gouges. But I am inhibited by my shop's huge wood stretcher.
Adam
Interpreting Historic Crafts
07/15/2008, 20:24 | Arts & Mysteries with Adam Cherubini - Blog
As many of you know, I demonstrate early woodwork at Pennsbury Manor. We were visited a few weeks ago by a reporter from a local newspaper who wanted to see why we do what we do. You can read his column here.
I never feel I do a good job speaking to the press. On a recent interview for a podcast, I took a simple 20 minute question and answer and turned it into an hour long bore-fest. One needs to answer clearly and succinctly and quickly. It's a skill I don't have. Guys like Schwarz are great at this.
Anyway, my concern about the fellow from the newspaper was that he was going to paint us as freaks and geeks. And tho some of us may fit that description, I thought that would be dismissive. And in Pennsbury Manor's case, many of the volunteers are highly skilled. I don't think it's fair to describe their motivation as "wishing they were back in time".
Looks like I got quoted a lot, which, given the controversial nature of what I was saying, is to be expected. The first quote:
?Some of us might have made unsatisfying career choices,? Cherubini said, ?or maybe the woman controls the house; so in the workroom, we want to be able to make that .0001-inch slice so we can say we control something ? 17th-century woodworking demands that kind of precision.?
This is my theory of why 17th c work or period work in general is not as popular with woodworkers. What I actually said was something to the effect that as we get older, we find ourselves recognizing that we cannot effect the changes we want at work, our children make choices we wish they didn't, our wives make all of the important decisions for our home and family, and the general sphere of our influence shrinks. And for some, it may come as some comfort that at least in our workshops, we can control the cuts we make to .001" precision. We may not welcome the axe to decide the shape of a piece. To let the grain dictate form is a sort of controlled crash that I think many woodworkers simply can't abide. I enjoy that uncertainty. I think it's authentic to the period. Feel free to disagree, but that's where I was going.
?Sure, you can pretend you're at a Star Trek convention when you see people like us,? said Cherubini about re-enactors. ?First, I don't consider myself a re-enactor. We are craft demonstrators.?
In this quote, I was just trying to make the point that the clothes we wear are there for the visitors, not to establish a character we are role playing (like a re-enactor perhaps) or to establish ourselves as members of a clique (like folks may at a Star Trek convention). I went on to explain the differences between first person interpreters (who essentially role play), third person interpreters (what I do), and docents or tour guides. Coincidentally, one of the first people to define and differentiate these terms was fellow Pennsbury volunteer interpreter Stacy Roth, who's book , remains a seminal must read text on the subject.
?And we're not a subculture,? said Cherubini. ?We're not all nostalgic for the past ? not that most people really think about whether we have real lives when they see us here anyway. What's important is that we need to balance our lives. ... We've worked in high-stress jobs, or we don't have enough control over our lives. When we come here, we get to decide for ourselves, be deliberate and share.?
This last quote is a combination of different conversations (during which I was riving and planing stock, btw) and the last sentence is a bit too succinct for me to believe I actually said it.
In terms of why we do what we do, I think there's a common motivation to present our crafts. In my case, I want to represent not my woodworking skill, but the skills and values of early craftsmen. I don't want folks to see me struggling with my tools, or fussing with a plane that isn't sharp. I want my visitors to see what I think the craft looked like then. Fast and efficient.
In terms of balance, I've noticed anecdotally, that a lot of the hand tool folks I encounter come from high tech jobs. The need for balance was my guess as to why. Personally, when I'm done working on a computer all day, I don't want to sit in front of one all night.
I don't want to pick on the journalist. I think it's great that he chose this subject and I think whatever preconceived notions he had coming in, he did a good job writing what he heard. I think it's an interesting, and very complex subject. What I've written above is my sense for it. If you are an interpreter, I'd like to hear yours.
Adam
A winter finger puppet
03/24/2008, 00:00 | Arts and Crafts BlogIn some parts of the world winter time has finished, while in other parts, autumn is starting… Wherever you live, is a good moment to show you this lovely puppet that is wearing cozy and warm clothes.
I improvised the pattern, so Ill try to remember it for you.

1 - Cast on 14 loops. Make 7 rows of elastic stitch.

2 - Row 8: Knit 2, separate 4 loops in an extra needle, Knit 3, separate 4 loops in an extra needle, Knit 2. Increase 6 stitches (4 next to the loops you separate, 1 at the beggining, 1 at the end).
3 - Row 9: Purl (leaving the 8 loops you separate without purl, in their extra needles).
4 - Row 10: Knit
5 - Row 11: Purl
6 - Row 12: Knit
7 - Row 13: Purl

8 - Separated loops: they are going to be the arms. Make a knot with the yarn in the first loop of one arm (4 loops). Knit the row increasing 2 stitches (you get 6 stitches). Alternate Purl and Knit each row. I made 5 rows. Do the same with the other arm. After that sew the back part of the body and the arms.
9 - Head: Cust on 8 loops and alternate knit and purl along 9 rows. Increase until the 5th row until you have 18 loops, then decrease until you have 6 or 8. Youll get a rounded shape. After finishing the head, sew it and fullfil it with cotton or a similar material. Then sew the head to the body.

10 - I Knitted the scarf, custing on just 3 loops and making Jersey. (Knit one row, Purl one row). I made the hat with sc (single crochet), crochetting circular. You can variate and put hair made of yarn).
11 - Make the hands: use crochet to make the little balls, there isnt a technique, I made sc until I had a round little hand.
12 - I made tho little eyes with the sewing needle: look at those beautiful green eyes! But he is mouthless…

I think he is lovely! It was a moment of inspiration, I hope to have those moments more often!
FrAn
Petit Bags
03/08/2008, 17:10 | Arts and Crafts BlogI have two pretty and small bags I made last week to show you. I used “unuseful” pieces of felt (that were useful in this case). Using my sewing machine I made, in no more than ten minutes, two little bags.
The handles are made, as you can see, of crochet (just a simple chain with a combining color).


The eyelets are made of crochet too… I made both of them and sewed them with my needles and thread, thats all!

Episode 26 - Bombe Series - Gluing the Divider
00/00/0000, 00:00 | T Chisel - The Rough Cut Show!Episode 25 - Bombe Series - Shaping the Dividers
00/00/0000, 00:00 | T Chisel - The Rough Cut Show!Personalized Custom Wood Carvings
00/00/0000, 00:00 | Custom Wood Carvings of Your Pictures with Unique 3D Raised LetteringTin Coaster Set - Pittsburgh Steelers
12/31/2007, 09:20 | Furniture Craft
Be the envy of all your friends with these tastefully decorated tin coasters! A sporty way to keep unwanted drips at bay while showing support for your team. Tin with cork bottom. Each coaster is 3 1/2" diameter x 1/8" thick. BUY NOW
Son's First Pen Turning
00/00/0000, 00:00 | Wood Destruction by a Woodscrub
My 17 year old son, the one I built the black desk for, completed his first project on the lathe.
Using my Harbor Freight Mini Lathe he turned a mechanical pencil using a Rockler kit. The wood is some scrap padauk I had, and the finish is shellac.
While he had some guidance from me, the work was all him.
He's excited and wants to turn many more!

